the thing is, anyone, remember that the now revenues are even faster than before the pandemic? the scene has grown bigger, stronger, and more diverse, at festivals and everything is full on again, including techno, to have lots of paula because many things are possible. it's up to the teacher, what's the story of even today it's mainly men who are so full front of the tech they've seen, but there was some legendary female details as well. the brings between that and that's that's the magic, the music at the end to social media, the fan base is growing rapidly and this huge interest in the origins of technology . people are like the silver mile generated stuff. and i had to wait 30 years in

order for a whole new generation to kind of come to it. you know, now, now they're finding it the roots of tech now being re discovered how center braces . it shows that 1st of all, we were ahead of our time hours ahead of mind. to find out more about the history of this genre. we were in berlin, where else, but the capital of take that since there is no closing time here, you can party all night long as clubs like twice or more than 30 years after its founding to do it is still considered the at the center and best place of protect them is meant when it comes to fix, know you come to this because i think that the is one of the most the far sunset

drive being viewed up is global tech. i think that techno was the force that shape berlin into the image that we have of it today. so the image was in 1989 before the full of the will fill in was a divided city in the socialist east, the state controlled and regulated almost all aspects of life. in secrets, however, the use of the ddr stay tuned into what was going on in the very close to the wall . so it was like, i'm touched over 45 years. technically literally took place underground in the basement fault of the department store was extremely loud. music and how to do that when we opened it, it was the 1st day and it was really cool incident that is usually just

happened at the top of the house. didn't make it about technology that was things like that were also ready to dance. and for a long time, no one was really interested in where the music came from or who was playing it says, or just moves and one atkins with the tang from the very beginning. many of them came from the declining industrial city of detroit in the us and they shaped what is now known as the sound of good. and i, my name is blake rene baxter. i'm from detroit usa tech house, sol, capital of united. the detroit is known for its also industry and music c. it's also considered the place

where the 1st ticket attracts, were created. this is awesome for glossing. you know, detroit comes and goes and comes and goes like, it's like, it's like a cycle added to that. so in the phone from detroit, the decline of industry in detroit and the doing of a new technological age in spite juan atkins and other musicians in the early eighty's to experiments with futuristic sounds. the next europe and electro music with african american don speeds i guess the arrival of the technological revolution, so to speak. it was the industrial age kind of came to a close and by detroit be one of the major industrial hurts in america. the city was kind of like just to clean it because the robots took over most of the

manufacturing jobs. they experimented with new electra sounds and was celebrated as techno rebels. even just a kid and later some, some more kids just tinkering with, with this new technology. you know, a lot of this was kind of spontaneous. i mean, nobody had a blueprint or a plan. i mean, we had an idea of doings. what we wanted to do sort of like an experiment and you mix a lot of different ingredients and the result came out 10 times better than we thought it would come out in a change of location. berlin, on an old hymns finished, he produced the music for the evening himself. oldham started out as a radio husband. the choice lights are illustrated for indeed naples soon became a ha my or it has always been the way it is. but it just seem to when techno came

along, it seemed a bit along with the actual futuristic or the science fiction elements from the beginning of the ninety's, ellen old him got involved in the taking a scene as a member of the d. j, connective underground resistance, known as you are know, one man was bigger than music. and the music, it was the message, not the person out. and we all had a co names and that i chose to 1000 for my he was the, the cutting edge nano technology terminate. superior to our new in every way. right. so that, that's the, the basis behind the jamie, the salvation in the disturb you and weld was how i didn't all to him depicted techno

in a comic book for the techno level plus age in the early ninety's. they asked me to do a comic book for their label is like, hey man, you know, just come up with something cool. you are is there the detroit police are robots, but you are, hates the robot costs. so you go the others and the resistance group. they're trying to restart this thing called the random noise generator, which creates music, creates take no music, and they installed the device and then the, the random noise generator shakes to life. and then you see all the electricity and sound waves coming out of it. and here's all the sound waves tech now, and it's touching everywhere in the planet. that's basically what that was. this house. absolutely, but from from detroit, the,

the hype around detroit butting, seen the same, made its way around the globe, pushed by music freaks promises and much owls until finding a 2nd home in berlin. days from the us with floating in to get to cities, dogs, those chinese still the us seen, we made fun. the rooted in the on the ground navigating traction in the main stream . so why did it come up in europe? the white audience are, were the ones who like techno, a lot of black people did not like it. they did not get it. there was no wrapping in it. did. there was no singing. it was all one thing. it was repetitive and repetitive proved to be the key to building is hans taylor became the new sound track of the city. when it became berlin, then it became centralized. and then more detroit guy started coming over evil to

resort was that was crucial in this checking. it was undoubtedly a creation of african american communities across the atlantic. the fact that as launch the escaped public consciousness because it wasn't berlin, where'd take no sound? mainstream appeals i think it was the rightful play, the music and the last bill of the whole d. j. culture of the job and they won't be very good. pulse on dick was born in 1971 in an industrial town in the ged off and grew up in east bed. and like many young germans, he fell in love with the news phone from detroit, things and professionally. it's simple, really. i play the music because i love it. i'm

a total fanatic of california. i think i really don't teach it because i can make any money when i tell me this might have been good for the income. the few years later, pulled from dick made his break through becoming one of the most successful the days in the world. and the money started flowing checking though for the massive years before it was very slow. that was really not a real nice line. but happy night. and when house came over as a top and then technology, great effect, weekends with thing about 10000 people involved in move from one of the rest of the story is that if we came to know and we tried john, i just came across from that too. many people, they just wanted to see what you came to 6 months, but the 1st the,

this is female detail like and then on in also start taking off. she's one of the most important representative for the bad and take those same to this day. the and on and produce is electronic music and runs the label. the pitch control table is like a 2nd time to pull. the roots are in hip hop box. the elusive, underground scene of techno fascinated head from the stop by a golf highway up seemed close to the book scene was removed because i could then somebody will check them. i didn't know how to use the christmas to fax from the s. as in papa as an officer,

why are i just that's how it can split by the fall love parade marxist status of a new era for this genre. what started with only a few 100 visits has seen through hundreds of thousands, many under the influence of the policy drug, ecstasy rate is from the world that came to berlin to be part of the spectacle. 1999 to an incredible 1500000 attendance. you know, back in the rain times, it was just a lot of drugs. the people that did parties, you know, whatever, whatever. but now it's an emphasis on community. it's emphasis on kind of leaving things better than when you found it. and i think that, that a lot of young people want to create their own spaces. and this is this, the soundtrack for the . so what does tech know actually mean?

to find out, we don't into the archive of use culture in buildings, costs back district to documents, funds, liens, magazines, posters, and more compiled, keeping the history of youth and subculture in life this and this book on this up here, we have the a tunnel festival program, from 1990. thank you could say that this was maybe the 1st tech no festival in germany to for the, for the term tech. them occurs, but not so often how they talk mostly of house here. when i noticed that, but at one point they start speaking of the so called, tech know, seeing mostly and it was the word is in quotation on, so it wasn't get really clear what they really meant by tech know who we speak. so i left them an understood mind as it has a different meaning for everyone. i mean, it will take no, can also be melodic and it can also be chill. but for me, primarily tech no means more aggressive. techno is everything you haven't imagined

yet. that's according to jeff mills, legendary d j. m is the same color. so yes, that's not quite the onset annisa your husband looking for. she works at berlin's university of the arts and has been researching techno for several years. in german techno with a capital t has a huge meaning. it's an umbrella term which collects, let's say on the ground events and music related happenings. and also the music itself is part of food that has something you can identify either and you can explain is something that is underground, something that is locally organized. but this is a huge confusion specially in international circumstances because an english sectional with another capital t means simply as on the music genre. one of the genres of electronic dance music take well as i thought,

a estimate is on the hops 1st and foremost, and it's a be in tech. no, it's harder. they close at times mostly compared to house sites. so tech know features less of the solely vote goes and go and is generally faster, harder and darker. how to do stuff. for some of the techno also means excessive drug consumption. very low is the, this simplification of the club culture that it's just about taking drugs that it's just about had them isn't as confusing, but i think now on the 21st century, we cannot say that anymore. most of the people that they go out because of clubs, they go out because of the lineup, they go out because of the music, they go out because of the atmosphere. there was always the sling. this idea of which the or think about what's going on. yeah. you know what's going on in the space and trying to connect with that and the way, trying to be not afraid of it. the

music has something robot that kind of, you know, just thoughts to the type of machine submit also that kind of spaces. sounds lot of electronic music is based on the gear that you use. 3 or 3, a roland 9 o 95. so then here's what's the vpn, and that's why it's called technology because it's technologically advanced. gear is on the growing that's yet the one adkins, it all started in the underground way. he began spinning records in the 1980s his long since become legendary in particular seen. but the status was never a big deal for him. my job is to entertain because you know,

have come from here where, you know, before the d, j was famous in this big days, got all his out accolades on your job was to do is to keep the floor busy or to keep people smile. manual, happy in dancing, and a lot of that is due in me from when i 1st started these days, one. adkins doesn't only feel dogs flows, but also the foyer of berlin's venerable philharmonic. the actually, i had no idea that i would even be leaving detroit or going around the world, not from the underground to the 100 holes of classical music. this home festival brings together the entire spectrum of electronic music, turning technology into high cultures.

here's the time is come, that this music is being welcome here as well. that's quite a statement. the technology built its own institutions. and now we're at a level where one set of institutions noticed this the other and see like, well maybe it's interesting what you're doing and we're still waiting for the lights going it shows day, 1st of all, we were headed back i think and it, and it shows the staying power because i had this vision of the future doing this is kind of perpetuating itself now because that was kind of the idea,

the well, the choice, african american communities of finding the receiving long overdue recognition for inventing text though the impulse control played by women artists, decree a scene is still under acknowledged and those who called tv show gave a feeling for what was going on in detroit at the time. it wasn't the b james who with the stars, but the don't. so is to go back and watch some of them and just see the outfits and see the dancing will always be extremely unique because that type of thing will never be repeated. it is. and the influence that, that hit on generations will always be. and so anyone to look at them even then if they look at it and see some of the move to some of that they were doing it. oh my god, the,

the choice sound is funky. i don't care what they say. i notice is the home a techno and yes, techno was created there, but the house came 1st, then tech no. only. now the question is, who did what? when and what did they bring to the scene? i got the biggest kick a flip with the record over but i thought how cool is that? because this is a real factory. now, this is not a fake factory. so they were really working on like the d days after to end tables . oh no, it wasn't, nothing plugged up, but we looked like we would good when we looked like we would get the i don't care what it is. every type of music happens because of some of the type of music. the film black to take no re examines the story. and also how nights the roll women played in detroit. it's never one

history. we're talking about thousands of different histories and stories. and that's how we silence out. people like the fear come into or the females. i think jason producers from that time because there's no books or sources like this thing for their stories. so this is why i think it's now we are in this moment that we have to push no further. their story is and not only who is asking the same people, what happened just some of the opportunities that were given to man, we're not given as well to women. and so we have to still kick down doors to make things happen. and we're just now in this last decade, getting the recognition that like we weren't there can call the detroit to talk to the 19 seventy's and eighty's told stacy how everything she knows. she quickly made a name for himself as a house d j and became pulse of detroit is queer music scene. the fact that they also had

a major influence on the development of techno as only now were you much i think what is happening that they're doing their homework, the 10 they're reaching out to, you know, says so thank god, here's social media because at the time that i was evolving, there was no social, it was a paper flyer, a text on a page or, or in a phone call. stacy hale has been doing, producing teaching and doing radio shows for about 40 years. she's one of the few female teachers i've had to interaction to make a name for himself. and detroit been and people are now taking an interest in what that is on the other side of the atlantic we're up to so many years ago and not just any way, but in the cities most famous and in some is techno, except that time i need

a select few are allowed in here, and that goes for everyone. even the days i know that it had a history and is well respected. and, you know, that's, that's all i know. so my friends was, they found that i was going to be here. they just said it is the place, so i had no idea the dish these days, the bill in clubs seen aims for more diversity in line ups to reject the real roots of techno and the whole spectrum of electronic music. you know, i knew of many things going on, but most of the time, things like this, you know, was all screwed to the man. and so getting this opportunity to come here to represent i'm so excited in the city way a tech know made it big hasn't missed as one of the most important music metropolis is in the world. and stacy have now finally has the chance to contribute to it.

i want to tell a story to me, that's what the thing is about. and i think in a culture that again playing music, even if it's a set time happening in the world or within the city or even in your home, you put on use it to make the change your feelings aside. it's all about letting loose and feeding the moments wherever you are in berlin, the choice or anywhere else at the movement festivals. the best place of techno is we discovering its rates and celebrates electronic music. the

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