lenin, brezhnev, i thought about ukrainian culture, about ukrainian culture, how much lenin, when we turned on the light, although we came to artyukhivka to find old daubs under the roof, in which people still live, we saw a completely different picture, namely dear villas with swimming pools. and expensive cars are parked nearby, the location is close to kharkiv itself, that is, if you have a car, it is 40 minutes to go already in kharkiv, a pioneer, if it was the former governor of the kharkiv region, this is dobkin, if the idea went that kharkiv is like switzerland, i don't know the ruble baden baden there. traditional local

architecture, of which there was a lot in artyukhivka until recently, is being destroyed, and new villas are being built based either simply on one's own taste or, at best, on foreign models. if you look at some new buildings there, some chalets, what is happening there, some mediterranean villas there, something people clearly, well... over that exotic copy-paste and you know, as a rule, people speak this other language, no understanding this language, it is like this there is certain globalization, but it must have some limit, as a rule, this folk architecture cooperates very well with landscapes, when it is like a plant from some meadow and somewhere...

put in a vase, something is wrong, then something is wrong, well, for example, somewhere in switzerland or there in austria, and maybe there in finland, it was constantly somehow transformed there, but based on these certain traditional techniques, technologies, resources, and everything else, today there is almost nothing left of the authentic clay artichoke, clay ... went into the ground, ecological local materials were replaced with more functional, modern ones. however, there are still houses in the village where life continues under the roof. knock-knock good day. ah, we wanted to ask you about your house, because we are looking for such houses, old ones , that were left there under the roof, under the reeds. the house is my parents. they bought

after the war, who built here, how they built it, it was back in the 50s, this is what it is, you see, what a wreck, it has been there for a long, long time, it was there at the same time, you can see that these houses were built, in addition to the traditional ones clay smears, in the north interesting examples of wooden architecture can also be found in slobozhanshchyna to this day. there was also a small pool and a small fountain, and fish swam here, and here it was like that all the way to the road , there was an alley, there was a sidewalk, well, in general , there was a fairy tale here, and now look, point carefully, it says lk, you see it says, leopold koenich is a wooden estate dating from 1880 with...

it was built by a german named leopold koenich. he was a very successful entrepreneur who in the 19th century had a parquet factory, distilleries, brick and sugar factories in slobozhanshchyna. and this one he built the house just for the head of the sugar factory. the master, the manager, lived all upstairs, and the servant lived all downstairs, in the basement, all the rooms were such that they lived there. they cooked food, washed clothes, everything was done downstairs, only the fireplaces went up, it was warm, this house was brought all the way from karelia, we don’t have such trees, the bottom was made, one row was made of oak, and then the karelian pine was all gone , that we have, all... architecture somewhere inside

our borders, it is all ukrainian architecture, it may be somehow austro-hungarian, i don't know. polish, some from other empires, soviet, but this is all ukrainian architecture, and it should not be given to anyone, but it is all our heritage, and what happened, happened, yes, and we were there, we took part in it in different ways, and ways, and this is all, this is all ours, this must be preserved. the house has a difficult history: in 1917, the bolsheviks came, the kenikhs managed to emigrate, and the estate was remodeled, a so-called fzo school, factory factory training, was made here, and it was there until 1975

year, in 1977 they started distributing it to people to live in, they gave me apartments, i was born here in guta, i went to school. i went down, finished everything and built a plant at the factory when i distributed the same apartments, and now i have been living here for 40 years. during the soviet era, the large rooms of the estate were distributed among the workers of the plant 60 km apart, the interiors changed, but something from the past life of the house remained. look at how tall we are, look at what molding, look at the edges, what molding. and here, and here are the fireplaces through which the heat went, here, here is the chimney, well this i have already pasted a little of them, but not white marble, well, here i heat it with firewood, then it goes here, you see, these are such rooms, with the beginning

of a full-scale war, the apartment became housing for a large family, children and grandchildren came to live with the parents, a place became a temporary shelter for immigrants, who also came here as families, taking cats and dogs from home, the basement, in which a servant lived during the time of the kenich, began to be used as a bomb shelter, well, you see, there were windows, they were repaired, of course , here you see, there were still windows below, windows, windows, windows, there it’s settled, well, yes, there’s a servant here, but i ’ll cover it now, well, here we are now... settled, this is the war, stocked up, there’s gas, well, we’ve stocked up on firewood, we think, but look at the ceilings, here’s a bomb , you see, they prepared a friend of this, hap, here, well, yes, it

’s not just one, they took it there, there was a stove, and then you see, there is a room, there, there is a room, there are three rooms, and here is the fourth, four rooms there were four families here... i don't know. in the part where people live, the house is somehow supported. the other side is slow is collapsing because the owner of the apartment went abroad. he does not sell the apartment, but he does not repair it either. a few years ago , a brick extension was made to the house, which now houses a living room and a kitchen. there is no money to arrange your life in such a way as to have comfort and at the same time preserve the authentic look of the estate. that we support that. is supported, no one gives anything to anyone, the roof was covered in the 60s, some hole was patched, patched, well, we support it ourselves, they mostly live here now, i am a pensioner for 10 years, here, here they live

pensioners are also the same, well, who will do what here, she, in my opinion, should be protected much more than. there are now, you know, it's like with elderly people, they, it's very difficult to take care of them, it's a very large amount of medicine, i don't know, some different things, and that, but we do it, because we are grateful to them for our life , for which they gave us, and the same with this one... in many countries there is a special additional state funding, well , for example, if you have an old house, there is a certain kind of, i don't know, pensions,

scholarships, and those that are given to support it, came there, a lot of people came here for an excursion, looked at this house and everyone said oh, after learning about our interest in ancient examples of local architecture, the local residents advised us to visit the nearby village of pavlivka, where a hundred-year-old wooden school has been preserved, and it is not only preserved, but also works successfully. this school was built in 1906. a customer from the village who ordered it traveled specially to siberia. for the construction of this school brought here and this school was made without a single whistle. this building

was financed by the same leopold koenich, who was a patron and took care of the development of the region. our school experienced the great grief of the great patriotic war, because it was here that the stable was located, the fascist stable, and then, when the village was liberated, then people began to rebuild this school with their own... forces, both the parents of the students, and the students themselves, and the teachers brought the school back to normal. residents of pavlivka independently restored the school. it was kept in its authentic form for a very long time, and only in the last 30 years have the wooden roof and windows been replaced. what is nice, they are proud of their school here, they don't want it to be like everyone else, they don't want to cover it with bricks or cover it with clapboard. and it happens... so much that if someone they know there comes to visit, they definitely come, take pictures here,

see if there really is such a school here, and if it is really so beautiful here, don't we live one day, one life, we try to make our school prosperous, beautiful, so that students go to this school with great pleasure schools the students are proud of the school, and the school is proud of the students, everything is as it should be, and the participants of the ato, yes... we also had students of our school, these are ustinov, and shcherbak, and kupovyh, and of course, now our these guys, and the sandpiper artem, now these guys are protecting the borders of ukraine, also from the rashists. every time, traveling with expeditions, we are most fascinated by people who do not want

to leave their village or town somewhere further as soon as possible, but stay and develop their own. well, we made this wall, we had nine man then, well, just look, all the surnames, who worked on this wall here, it’s just from me, i, of course , planned this wall, got up and told what you were going to do... a pink flower, he makes leaves , that, that, that, and so we worked out amicably, beautifully and very quickly, how to do this, they started and worked from early morning until late, but they did it, well, my task was to make the composition so that it would be unique, so to speak, in every work, you see, here we have birds, there is a rooster, there are viburnums and so on, that's it... our main goal, so to speak, was to decorate the center of petrykivka

with these wonderful works of ours. patrikivka is a unique place on the map of ukraine. it is unique in that not only has a special local painting been preserved here, it is still developing at a frantic pace. a large number of modern masters live and work here, who are constantly teaching the next generations. the petrykiv painting appeared. as a decoration of a peasant home, those who had the best in the house were called chepurushkas, our clay is of different colors there were berry juices, there were flowers, leaves, all this was used together with the egg, that is, either the white or the yolk was taken, a painting was created, simple elements, but it was already a wall painting. petrykivka itself was founded in 1772, in 1772, even then

there were eyes, so to speak, already small , someone started work, did it, and all the time it was polished, polished until bright craftsmen appeared. every petrykivskaya hostess was begging to have a petryakiv ornament in her house, as they say, in our petryakivtsi in the house. as in the church, but not all housewives had the same talent for drawing, so the artists or poor women also created, as they said then, little pictures, small drawings for... sale, drove cattle through peterkivka, traded grain there, and in parallel, as far as people there was a lot, you could sell all kinds of shops, all kinds of products, and now these women, with the advent of papers, began to draw such scrolls in order to decorate the bastard

and such leaflets that were attached to komen's mirror, even more... could do it elegantly in therefore, there were even more hundreds. the phenomenon of the petrykiv painting arose here for a reason, the fact is that the village was founded by the cossacks, it was a free village where there was never serfdom. freedom-loving people fled here, those are the kind of people who did not like oppression of any kind, but they fled, since there was no serfdom here, they settled, and they survived on what they possessed, except. moreover , petrykivka had a favorable location, at the crossroads of important trade routes, where huge fairs were held four times a year, some embroidered, some wove, some there he cut wood, or wickerwork, or straws, or drawings, well, everyone survived in their own way, and that is why all the people here were creative, creativity is spirituality, this is

a highly spiritual settlement, you can say that if the first drawings were simply brought to... . to exchange for something else or to sell, then later the artists began to be approached with orders, artists appeared who actually became the founders of petrykiv painting: these are tetyana pata, bilokin, pylypenko, pavlenko, and even earlier the names of artists, painters simply did not survive, and their works also disappeared, because they were created with paints of natural origin, this... the work was created with the first industrial paints, aniline, so it has survived to our time. at some point , professional artists became interested in folk art, one of whom was oleksandr stativa. in 1936, he founded the school of decorative painting for young people in petrykivka.

he took tatyana yakymivna pata, one of those masters who were just before, as the teacher of the petrykiv painting. or feathers, which - well, if they were distinguished by the fair with their best drawings. since then , the number of masters in petrykivka increased, men also appeared among them, and painting began to develop at unprecedented rates. and it is still developing. each school has petrykivsky painting circles, the house of children's creativity, there is also a circle. senior classes, we have industrial training. and at this production training, children master the elements of petryakiv painting. if you wish , you can become a professional master after graduating from a special school located right here in petrykivka. children from lviv also studied with me from kyiv and from donetsk. petrykyvka will learn, it is necessary only in petrykyvka. here it

arose, here it was born, here they must learn. approach to training and dissemination. kyiv painting continues to gain scale. there are museums, schools, festivals, special literature and even prescriptions where children learn to reproduce individual elements of painting. at this place, where we are still located, we always have a miracle flower every year in the month of september. craftsmen from all over petrykivka come here. it is interesting that thanks to the festival the murals are still there lives in its authentic environment, the walls of buildings. petrykivka, masters have been painting the village with their compositions for 14 years, when we painted the first fence, the first one, and people pass by and say, well, what are you painting ? that's how we become, i think, when young guys come and stop and say, oh, thank you so much

for drawing this, and one of you is on your knees, but what about you? he yes, yes, i say, no one will pee, no one will draw, once the youth said that it is it is very good that they like it, until today no one has written anything there, nor done anything, nothing. thanks to the masters of the village administration, 10 years ago, the petrykiv painting was included in the intangible heritage of unesco. and just as we were painting this wall, when the representatives came to the devutsvit, those who were supposed to vote in the youth party, they were with us. were finishing some elements on this wall, here, for example, look, here is a berry, there is a berry somewhere, the voting process was not easy, but in 2013, 600... experts from 95 countries of the world cast their votes for the petrykiv painting.

how do we know that this is the petrakiv painting? first, only in our painting, a cat is painted with a brush, it is called a cat hair brush. it is this brush that gives that unique brushstroke that distinguishes our painting from. chives, chives, these are flowers that you will not find in other paintings, and many of us paint viburnums, this is a symbol of girlish, feminine beauty, oak leaves, this is a cossack symbol, male strength, courage, by the way, a bird is a symbol of goodness, happiness, peace, comfort, well, that is, many elements of our painting have their own sacred meaning. and why did they paint the walls above the door, there were friezes above the window, because people believed that this beauty would not let evil into the house.

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vasyl zima's big broadcast. this is the great ether, my name is vasyl zemaev, let's get started. two hours of airtime. two hours of your time. we will discuss many important topics today. two hours to learn about the war. now we will talk more about the war. serhiy zgurets is with us, but what does the world live on? now about what happened in the world, yuriy fizar, yuriy dobrevesh will speak in more detail , please give me your word, two hours to be in courses of economic news, time to talk about money during the war, oleksandr morchyvka with us, oleksandr, welcome, and sports news, review of sports events from yevhen postakhov, two hours in the company of favorite presenters. thank you very much to elina chechenna for the information about cultural news, presenters that have become familiar to many. natalka didenko is ready to tell us about the weather on the day of the coming day, as well as the distinguished guests of the studio. people's deputy of ukraine, he was also the chairman of the verkhovna rada of ukraine. events of the day in two hours vasyl zema's big broadcast. a project for smart and caring people. espresso in the evening.

kanal espresso and ukrainian pen present a project of their own name with myroslava barchuk. a series of conversations with ukrainian and western intellectuals who analyze and comment on the most relevant social debates. what news will be analyzed by the guests of the project this week. and actually, we will find out who will be the guest of the studio this sunday. undoubtedly, the topics will be relevant, the guests will be special. proper names with myroslava barchuk. sunday, 17:10 at espresso. among the flowers are older parent birds, well, it's like a family and their children, chicks. it is believed

that even the buds on the flowers are future children. petrykiv painting is a complex technique that requires a high level of skill, and if today in order to master this technique, just desire and perseverance are enough, 50 years ago it was not easy to learn to be an artist in the village. i had my first impression of painting when i was three years old. when the neighbor's grandmother was renovating her hut, the mazanka and removed all these drawings, that's what they were on our streets, and she gave it to me, this was such an enemy, well, i was little, for me it was such an enemy of those paths, and they were all painted, bright, i had never seen such a thing in my life, or life was after the war, i have been since 1957, i was just over the moon with happiness, i still remember,

i had a strong first impression of beauty, i started copying those drawings early, as much as i liked them, that i just made copies of them, and that's how i just came to the art school, got to vasyl sokolenko ivanovich, i had nothing, no shape, nothing, so he invited me to his home, gave me three powders, the kind of powders, you know, with which eggs were dyed for... day and sold in the bazaars, and he also gave me i had my own brush, a brush made of cat's hair, and that was my first path to painting, but i never managed to realize my dream of studying at an art university in lviv, due to difficulties with exams in mandatory subjects, ukrainian language and literature. in our country, the city is pro-russian dnipropetrovsk, and the ukrainian language and

literature were ignored in the institution. to a special secondary school, and i come across an enchanted gum, that’s a dovzhenka, but we didn’t pass it, because in general only russian language and literature, and that’s all, and my attempts like that ended, but the artist managed to realize herself in her native village, under the supervision of experienced masters, and as soon as the level became satisfactory, work began at the factory, at first it was called friendship, and then... kyiv painting and the factory created a souvenir that went not only all over ukraine, and even abroad. souvenirs, plates, caskets, fishing sets were made there, then the tree went, it’s already gone, spoons, there, well, different, different kitchen sets, everything was made, there was a lot of work, and so i gradually grew, grew, i joined

the artists’ union . and continued to grow in this creative environment, although souvenirs were exported to more than 20 countries of the world, in order to survive, ukrainian folk art in the soviet period was constantly balancing on the edge of prohibitions, it was necessary to survive somehow, so let's assume some congress, to some october anniversary and so on, plates were produced, which were also dedicated there... to the victory day of 1500 years of kyiv, well, that is, a little bit of politics was brought into the petrakiv painting, and thanks to this it was not oppressed, on the contrary, it developed, with with the collapse of the soviet union, our factory began to decline, and the salary was very, well , it was not there at all, we still had to create souvenirs, souvenirs with which to go somewhere in order to somehow support ourselves, so we traveled.

cities, somehow survived in this way. to us i was very lucky to visit the artists valentina and mykola deka. their life, their works and their history are a modern embodiment of living folk art, and their family house is a living museum in itself, because there were many famous masters of petrykiv painting in the family, including the founder of the first school oleksandr stativa. and his own uncle, a well-known master and teacher, feder panko. in addition, valentina's sisters and her children also draw. this is fedorasovichapanka, the work was returned from the exhibition in the 60s of the last century, he gave it to his mother mine well, the children's work has already gone, it's svitlanchyna's work, lesya's work, one and the other. and...