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Understanding 9/11tv Taini sledstviya-8 RUSSIA1 April 16, 2024 2:05am-3:46am MSK
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we remember how last week, zelensky demanded the number of patriots that even the united states does not have, that is, of course, in this case , these are just one miserable one or they will collect some more, they cannot change anything in this case, at the same time , of course, for them now it is a huge headache for the qualitative changes that we are undergoing, primarily in application systems, that is, in fact , today we can say that we actually already have fully-fledged reconnaissance and strike complexes, that is they have become no longer... let’s just say there at the level of development or in certain areas, but in general this is like a normal system that works everywhere. of course, they don’t know what to do with ours in the mpc, of course, for them now there is a huge problem with the appearance of missiles like our x69, for example, what is the main problem for them, if before - our main cruise missiles, which hit targets at long range, they were still raised either by mik-31 daggers or by our strategic bombers. all this is possible
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it was like monitoring in advance why alarm signals are not being heard now, but explosions are being heard, and because the same x69 is being carried by an ordinary su-24, well, or the same su-34, which takes off like every day dozens of times, for each of them , it is simply impossible to declare an alarm somewhere in the kiev region or somewhere in western ukraine, and accordingly this really becomes a problem for them, strictly speaking, in this case, of course, you need to understand that now they... will try anyone at the cost of using yours in the summer the only thing, not even a trump card, is that the only thing they have left is an attempt to throw in those very f16s, now they are quickly preparing, as it were, their premiere, and most likely they will try to throw them in there not one by two, throw them like, say, a weight on scales in the conditions that they can try at least somewhere, but inflict at least some kind of counterattack, the british press writes that the main goal is the crimean bridge, in this case one must understand that... without demonstrating
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at least some then success, ukraine is sinking more and more not only in the eyes of its own allies, but it comes through first of all, again, as i already said, systematically, that is, when, well, the old football principle, you don’t score, they score on you, so yes, for them now the situation is really moving more and more from a state of crisis to a state so pre-catastrophic, well, we need to help them achieve this state as quickly as possible, so we need to continue to strike at the infrastructure, ourselves... a varied, most reliable way to shoot down the f16 is to not let it arrive, yeah, that is, we need to destroy it right away airfields, pilots, technicians, now ours seem to have somewhere covered another portion of the french, who were brought in, they were transmitting galubica there, it works very effectively, so i was talking about reconnaissance strike complexes, and of course in this case it’s even via video ...
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five or six of his managers probably didn’t sleep, they were carefully watching how events would develop in the middle east, because they had an understanding that, god forbid, a big war would break out there, they wouldn’t even be given money. at all no one will talk anything, and there will not even be contacts, well, it turned out to be, so to speak, a slight fright, and hence, probably, this impudence of the kuleba, and pay attention, he does not say that listen, you give us money and we will take yourself with some obligations. no, he says, you give us
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money, you give us weapons, you give us air defense, and if you ask us, maybe we will respond to your requests, as far as we are concerned. i want to tell you that in the information field of ukraine experts say, they say: we we chose the very right targets, because we are hitting not only russian oil and gas plants, yes, but we are hitting the pockets of western investors who at one time invested money in these russian energy companies, that is , what is going on, they don’t even deny it, that they demand by direct blackmail, they extort money from the americans like lard from a boar, either give it, or we will continue to do this. well, that is, the level of impudence here just seems to me to know no limits. now regarding the nationalist battalions, you know what here it really surprises me, well, when we were talking about azov, banned in russia, yes, which at one time fled from avdeevka, then refused to go at the hour, well, one could say, well, that’s
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what happened, probably, yes there, well, what were the circumstances there , we don’t know, but now the question is about disbanding another nationalist battalion, the right sector. right sector on the initiative of commander-in-chief syrsky, but i think maybe there is some kind of connection here, the connection is very very simple, in my opinion, while the task of these battalions was to carry out the functions barriers of the detachment, they were ready to be on the front line, zelensky can talk as much as he wants about 3,100 lost soldiers, but they have no one to fight there, so in this situation, the commander-in-chief, making the decision to send , so to speak, an az unit there... let’s say to avdiivka or there hourly , he proceeded from the interests of the front, and they proceed from their own interests, wait, we didn’t agree with you like that, to protect ukrainian soldiers, yes, we are ready, but we won’t go there to the front line, we don’t want to, why do we need it ,
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this is me, what i mean is that they are actually, well, as if trying to gather people to mobilize them by any means, well, it just demotivates people, well, what’s the point, that is, these... they will sit in the back and shoot at those guys, who get caught on the street. many people have a question: how do ukrainians even survive in peaceful cities in conditions of strict mobilization? do you know what saves ukrainians? they are saved by total corruption. and any imperfection of the law will be offset by its non-implementation. that is, they look up, these steal as if in themselves, and they say: it’s possible. tsk steals for themselves, they stand at checkpoints, those, those, well, sort of sit on bribes and...
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firstly, it’s cheaper there, and secondly, they’ll definitely fulfill their obligations there if someone has a route through checkpoint, he ’d better pay 20, 50 dollars every day, but he will know that no one there will take him anywhere, there are people, there are already whole castes in ukraine, so if you want to cross the border through the checkpoint , this is about 20 thousand dollars, you are like a decent person, in a suit, they treat you with respectfully, they set a date, time, to the desired window and... you calmly drive up and walk through, but it’s very expensive, not everyone has it, so to speak, there are people, smugglers, who have long since stopped dealing in cigarettes and all sorts of nonsense there, they , well, it’s just that the export of people has become very profitable, yes, when we talk about what amounts we are talking about,
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well, just on the romanian border, since the beginning of this year it has been crossed in different places, 6,300 ukrainians are those who crossed and. ..
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about this, they are pressing us from 12 directions, well, this is actually the entire width of the front, that is , where it will come from, where it will break through, where they will go, no one really, well, i think no one knows, of course they could be... somehow guessing from the tea leaves, but the situation is shaping up front in such a way that they are pressing from all sides, they admit it, there is really no opportunity to rectify this situation, the law on mobilization does not solve this problem in any way, because the problem is not so much in people, that ’s when they say: give air defense systems, the problem is that they don't have enough for the defense not so much of people, but of weapons, shells, air defense systems and everything else, and even if they decide to allocate funds, these funds still need to be converted into this.
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yeah, that didn’t stop us, we added it, we ’ll calmly do our job, that’s all, see you tomorrow, good evening, broadcast from st. petersburg, in the news studio igor strakhov, briefly about the main thing. sura brought the neighbors to criminal
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charges in the commune, the former police sergeant fired in the direction of his colleagues. sewage in the basement in the village of telman, people suffer from unbearable smell, and not only. abnormal cold in st. petersburg promises frosts and heavy snowfalls. the red carriage in the main headquarters is one of the iconic works of ilya and. the kabakovs were opened after restoration. it took police officers about 2 hours to calm the violent resident of kommunard. this is a city in the gachchinsky district of the leningrad region. there, the night before, there was a conflict in one of the apartment buildings. two neighbors disagreed, after which one of them began to threaten his opponent with a knife. when the police arrived, debarshirov. disappeared into his own apartment, but only to change his arsenal. when asked to open
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the door, he came out with a gun, fired in the direction of the law enforcement officers, barricaded himself again, and the apartment had to be opened. hands out, hands out, and the criminal actions of the attacker were stopped by officers of the national guard. as a result of the incident , no one was injured, the suspect was detained, the issue of choosing a preventive measure against him in the form of detention. as the detained forty-nine-year-old man found out , he previously served in a private security battalion and was a sergeant; he only had permits for a gun until 2018. under the article on encroachment on the life of a policeman, he now faces up to 20 years in prison. in the village of telemana, residents of many houses suffer from
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the level even by your standards, but it was higher, how many were, that’s how it was, well, it poured out there, these shots were taken by residents, the recordings show that the basements are almost completely flooded, the depth of the black slurry reaches one and a half meters, in addition to the unbearable smell, this leads to the rapid destruction of foundations, the plaster cracks and collapses, due to the humidity in apartments, according to people , mold appears, and even for most of the year there are clouds of mosquitoes, the child even has to hang it over the bed a mosquito net so that mosquitoes... at least they don’t bite him, because they bite so much that even blisters appear, these abscesses appear,
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but these are, firstly, basement mosquitoes, they are more dangerous than, well, carriers of the disease. such the picture, according to local residents, in thirty apartment buildings in the village of telman, and also in the neighboring village of pioneer. about 2,000 people found themselves in the zone of communal disaster, activists say; all these problem houses are serviced by one construction management company. the management company simply doesn't do anything. everyone blames the water utility, that the water utility is to blame, but the basements are not the water utility, it’s the management company, call the management company.
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we install the pumps, do this fruitful routine work, and pump everything out sewerage, according to the utility worker, is impossible due to overflowing wells, for which the leningrad vodokanal is responsible, the enterprise responded to the request in writing ; there are no emergency applications from the village of telman, basements, the area of responsibility of the management company, the administration of the village stated that the management company is fulfilling its duties bad, rendered communications in the basement unusable, public housing. the inspection is now working on a mechanism to remove the organization from managing the houses, the administration, in in accordance with its powers, will appoint a temporary management company, including we are even ready to appoint the municipal unitary enterprise green city as the management company, and begin to slowly bring the in-house utility
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networks into compliance. in addition, the prosecutor's office filed a lawsuit against lenobl vodokanal with a demand to bring the networks in accordance with... the scheme, we are talking only about pipes and wells that are adjacent to intra-house communications, according to the village administration, some of the problem houses have already been recognized emergency ones, in the future they will be included in the resettlement program, the rest will have to wait for the management company to change to a municipal one. ilya karilin, evgeny rakov, alexander loginov, mark plukhinskikh, conduct the leningrad region. st. petersburg is switching to electric buses. in smolny today they discussed the development of the city's transport system. the main task is for the year. updating the fleet, focusing on environmentally friendly modes of transport. we purchased the most buses; by the end of the year , 620 new vehicles of different capacities will arrive in st. petersburg class. there are also plans to install 41 trolleybuses, 136 trams and 10 metro trains. another good news for passengers: the city will soon launch a podorozhnik mobile application for paying for travel. a new subsidy for
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newborns was also discussed in smolny. in st. petersburg - representation of maternity capital. universal benefits, various benefits has become a good argument for families with children, especially for young families, they need support, i think that a gift set is also one dimension of such support, this work needs to be continued: for newborns they will donate clothes, bed linen, toys, hygiene products, educational games, about twenty items in total, they promise to start issuing the first set from august 1 this year, the necessary changes will be made to the social code of st. petersburg. today , twenty more soldiers of the private military company wagner were awarded combat veterans certificates . they received the documents at the regional branch of the defenders of the fatherland foundation. the public organization helps soldiers who returned from the northern military district zone to resolve many issues with paperwork, receiving benefits, rehabilitation means, retraining and employment.
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the ceremony was attended by the leaders of the fund, anna tseveleva, the vice-governor of st. petersburg, valery moskalenko, and the deputy chairman.
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a simple week, forecasters warn, an arctic cyclone is coming to the region, with it a new winter, worsening weather is expected by wednesday, it will be minus at night, during the day they promise no higher than +5°, the temperature will drop until friday, when a new cyclone approaches the region, it although it comes from the south, it will bring heavy snowfalls to st. petersburg; a cyclone is forming and carrying with it very warm air rises from the south, but in the north and already above the leningrad region.
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there will definitely be no light rains of more than +10 on the thermometers on tuesday in st. petersburg and the region according to the hydroelectric center of st. petersburg. april 16 in the city region it will be cloudy with clearings about 6 ° above zero, weather forecasters promise that in the afternoon the air in tikhvin and baksitogorsk may warm up to +9 +68 also from 6 to 10°c, thermometers will show in kirishi, gadchin and vyborg. insignificant. precipitation during the day, possibly in st. petersburg, the northern capital during the day a weak north-west wind will blow, the sun will come out, and during the day in the city it will be no colder than plus seven, on wednesday night it will already be 0.2.
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have a good mood, in any weather. medieval table, spy coat , secret documents. an exhibition dedicated to one of the most famous intelligence officers in history, kimobi, has opened at the russia my history museum center. all the exhibits are from the archives of the foreign intelligence service, they are being shown widely to the public for the first time, things tell about life and service to the philbe. since 1933 , as head of the british intelligence services, and at the same time was an agent of soviet intelligence. during the second world war, he managed to transfer about a thousand documents to moscow, which ultimately helped the red army defeat nazism. kim filge himself considered his main merit to be that in 1943 he was able to warn the soviet command about hitler’s plans to deliver a decisive blow in the area of kursk and orel and thereby gave it. the soviet union has the opportunity to prepare to win victory at prokhorovka, and then in the entire kurdish battle. also presented here are declassified documents that were transferred
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kim philby, they shed light on the true plans of our allies, about how the united states and great britain played their not very fair game behind stalin’s back, about opening a second front, about the future world... structure. for many years of devoted service to the soviet union, kim philby was awarded high state awards. the main one is the order of lenin. these relics can also be seen at the exhibition. the red carriage in the main headquarters of the armitage, one of the iconic works of ilya and emilia kabakov, was opened after restoration. alexey komarov, more details. for a long time it was impossible to see what the red car looked like inside. visitors even assumed that there was a certain one there.
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air, color, space, music, those sensations and experiences that you and i, to which we come, immersed in this installation, the artist ilya kobakov in the second half of the eighties developed the idea of total installations, over time it was they who brought him worldwide fame, for armitage - this is the thing that alone describes 50 years, this is wonderful for armitage, it stands among other main things. century: the dance and music of mathis, composition number six by kandinsky, the black square of malevich, the red carriage, the entire 20th century, almost all of it has been described, there is still
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a kifr there, we also have a kifr. all structural parts were made from larch, which is twice as heavy as pine. during the restoration of the red carriage, one of the main problems was that the multi-tiered staircase, weighing hundreds of kilograms, broke under its own weight. while still alive. author, it was then that the threat of collapse arose, because the stairs began to fold under their own weight, that’s when ilya kabakov proposed a solution to sew pipes in several places in order to somehow connect the structure. the total installation is the embodiment of several ideas; the wooden staircase symbolizes the utopian hopes for a bright future in the 1920s.
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by the way, each item has its own inventory number. in july, for the first time , the most significant work of ilya and emilia kabakov, a monument to a vanished civilization, will be shown at the main headquarters; it was donated to the hermitage in 2014 and has never been exhibited. rakov, nikita morozov and nikolai shvedov, lead st. petersburg. burg news. all the best. rest is leaving yourself alone. rest means not thinking about anything. when you are calm and
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yes, but isn’t this the reason for your success? it seems to me there are several reasons. a successful combination is a fact. i’m originally from milan and started going to lascalas as a schoolboy, that is, i got into opera very early. some performances had discounts for children of pensioners, and we went to them to all classes.
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even photos of me as a teenager with him and his father. we have been friends with families for many years, it was leo, together with marcelo giordani, who, alas, has not been with us for several years, gave me the idea to take on this work. 22 years have passed since then. i must say that it’s not that i had nothing to do with music at all. i took a piano course at the parma conservatory. and some others, but not to become a musician, i just took lessons there for myself, for self-development. at this time i was studying at university, specializing in history and law. and then, after university, i thought,
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why not try my luck in this profession. after all, while still a student, i organized my first concert with the association of friends of opera. we held a charity concert in favor of italian. pizzolina o naso che par quello di buoso, invece il mio, perché la posto diposo ci sono io lo schicchi con altra voce e forma, io
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falssifico in me, buosonati che stando dando... al testamento norma a gente questa matta pizzarria e mi zampilla nella fantasiar l'eternità. you opened your agency in 2011 . my own agency, yes, but before that i worked in two other agencies, after which i decided to open my own. and such world-famous singers as
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placiada, ferucha forlaneta, sony yoncheghi immediately came to you. by the way, these are all heroes of enigma. but tell me, how did it happen that the same plasido domingo ended up with you, because before that he had one.
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very subtle mental organization, they have a very difficult job, this needs to be understood when i hear that someone wants to become a singer, i say: think carefully, this profession presupposes a life full of hardships, and these are ugly words, it is a monstrously difficult and thankless job, including from a financial point of view, beginning vocalists always sit without money. everyone should, not everyone can stand this, when i conduct auditions, i don’t like to do this, but sometimes i have to, and i come across a weak vocalist, it’s my duty to advise him to start looking for himself in another
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profession, to say this to the person who paid 10 years before huge money for teachers and crush all his dreams, but it’s a duty, i’ll tell you so-so. but this is precisely an obligation, i must say this, you cannot remain silent or , especially, reassuring, but you are just a new turn, no, don’t turn. everyone sees this, but to teachers, now i will say not the most pleasant things, teachers often do not want to lose their earnings, all their students are doing great, so i want to warn you, be careful with teachers,
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i know that you have experience in participating in jury of various competitions, for example, bi-russian imenichkovsky competitions elena obrazova. in my opinion, it is a great idea to include not only singer teachers in the jury, but also specialists like you. i must confess that to me. i really like sitting on the jury of competitions and discovering new talents, as was the case at the cheikovsky competition. there i discovered two wonderful russian singers. and 2 years ago, at a competition in batumi, i found an amazing metz sapran from azerbaijan. so this is a very useful activity. and these singers are already in your agency?
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i’ll tell you a short story: at the exemplary competition, i remember i had a huge argument with one of the jury members, a former vocalist. our opinions about one of the contestants completely differed. i said, “sorry, but there are two people here whose job is to bring the performers to the stage.” this is me and my colleague from venya. it's not that we know more than you, but we evaluate all aspects, not just the voice. what do you think? the jury must evaluate not only the voice, but also other characteristics of the artist. this is a topic i’m interested in discussing.
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most of whom don’t care what kind of voice the performer has. the main thing is that he looks good on stage, if, in addition, he has a voice,
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great, no, this is also not a problem, this is tragic, as a result, even in very good theaters, we come across productions that demonstrate a complete lack of respect for the composer’s intention , i won’t give specific examples, otherwise they’ll hire her for... for some reason, when we see monuliza, we don’t have the desire to take out a pencil and finish drawing her mustache and beard. but in the case of la traviata, rigaletto, tristan and the queen of spades , this happens all the time. but these are
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such masterpieces. it’s unbearable for me to watch when the action is in don carlos. the whole performance is transferred to the bathroom, or to the troubodour, the singers sit and eat at the table. what do you think about a director like dmitry chernyakov? personally, i appreciate him very much, his productions are always original, but retain the main idea. i also like chernyakov. i know him and his work well. this is the real gold one. completely different from the provocative productions i’m talking about said. the first work of chernyakov that i saw was the player in berlin and lascala. then i watched it a lot. the tale of tsar saltan in
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the audience wants to see new productions, i have nothing against it, but when the actions of bohemia are transferred to the moon, forgive me, i
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saw with my own eyes a bageme where paris was on the moon. in space, i'm not saying that every bohemian should have a christmas tree like zeffirelli, but respect the composer's intention, if the characters on stage mention christmas eve, at least hint at it, not powder the viewer's brain by showing a spaceship flying somewhere to mars. another question: in the 20th century, opera lived under the sign of straight-ahead, star tenors. has this culture passed away today? not so simple, times have changed very, very much, undoubtedly, today singers are technically more advanced, but they have much less charisma of personal charm than singers of the past, but how can you
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compare the times of kalas, even if relatively recently, when i started going to the opera , i had to manually buy tickets. theater and discs with recordings, and today we do both by pressing a few buttons on the phone, just like we buy plane tickets, this is a different world, today you don’t need to put on a disc to listen to music, you can watch and listen to everything online, any performances by artists, what’s happening behind the scenes, their private photos, you don't even need to leave your house for this.
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but a prima donna like kalas was inaccessible; to see her, you had to wait for hours, after the performance at the exit of the lascal or the parisian opera, another world, and her heiresses today share videos with fans where they prepare breakfast for themselves, decorate a christmas tree, go shopping, before something similar could be found, except... in glossy magazines about the lives of stars that still needed to be bought, but the hunt for autographs - it was a separate sport, everything else, the fifties, sixties singers to perform in the argentine colon theater sailed for almost a month across the ocean along the road rehearsing, and then performed four operas one after another, so that such a long... trip at least was somehow justified, but today from you can fly from paris to buenos airos in 12
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hours, everything has changed, it seems to me that with the speed of today’s life we cannot compare with our time not only what was 50 years ago, but also what was 10 years ago is no longer exists, exists, but the attitude towards them is from... previously they were legends, but now they are not. the myth is only about those who are not available, but for us everyone is more or less available. on the one hand, this is good, on the other, not so good. for example, today's stars have significantly fewer opportunities to record a disc. remember how many records did domingo, nuchi, caballe have? for the same lucian, a lot, today for the studio it’s pure expenses, it’s madness
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to invest 60-70 thousand euros in the release of a record that definitely won’t pay off, sales are different, new times obviously require more flexibility from agents, as well as from artists, absolutely that's right, besides, there are so many singers today, everyone. every day someone new appears, and the qualities are higher and higher that the coming day is preparing for me, my gaze catches him in vain, he lurks in deep darkness, there is no need. fate is right, the law,
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the underworld pierced by an arrow, or it will fly by, all the goodness of the vigil of sleep, the certain hour comes. blessed is the day, blessed is the darkness, the arrival, i especially like how you, one after another, pick up the singers from the youth program of the bolshoi theater.
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you know, to begin with, i was very lucky. i have been friends with dmitry vdovin for many years. and this man, in some amazing way, knows how to identify those who will certainly reveal themselves in the future. he takes them, hones their skills to the highest professional level. i think it's a secret here in intuition, intuition obviously could not
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a prize, because it was not only her voice, the least she would get was the second one , but also charisma, when you immediately, immediately see a huge personality, we immediately started working, together for many years, there were difficulties, she left me, but then she returned, our collaboration is already 9 years old, we released a disc on sonic. i closely follow her career, and we can openly discuss any problems, both in her and in my professional life, but it came through the years, quiet night, holy night,
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all the best. with bogdan volkov or vasilisa berzhanskaya, now we are at the stage we were at with sonya
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at the beginning of cooperation, the first time i heard vasilisa was in berlin. we started talking, and i told her that i don’t understand why she sings this particular repertoire, that she is capable of more. she replied that it is not she who decides, but her agency. then i said that there was no point in her listening to them, and suggested that we try to think about her future together. and she completely changed her repertoire, moving from soprano to medza soprana. more precisely, she doesn’t exactly sing medza soprana. i want to take the opportunity to clarify, she sings the roles of falcon sapran, in the past they were performed by second saprans, such roles as anna balein, adal jiza are normal, although in the role of the norm itself she is wonderful,
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you know, what amazes me about russian performers is their incredible musical preparation. they are not just singers, but real musicians. at your conservatories , vocalists must take a course in piano and symphony conducting. and choral music, this is a very serious basis, it’s not like that everywhere, a couple of times in my life i met performers who didn’t know which way to open the notes. the level of musical
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culture is falling, go up to one of the young people on the street in italy and ask who verdi is. most will not be able to answer. they only know the names of the football players.
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when i started working, and it must be said, it was not so long ago, you could come, say, to bologna and watch don carlos there. with an ideal cast, with the participation frenni, for example, would then go to trieste, and foscari, cappuccili, rogero raimondi would sing there, but now
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there is no money for such performers in the provinces, they would go, but small theaters would not be able to afford their fees. un suo sguardo la tempestad
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the fact is that their funding is being cut year after year, who is the government, who else, but the problem is not in the government, in priorities, everyone knows that when it arose. they give more money, the same thing with railways and airports, and you also need to give money to prepare for the tourist difficulties in the healthcare sector, hospital seasons, and so on and so forth. everyone agrees with these expenses, but the theater, after all, is for a very limited part of the population, it has a maximum number of seats, so when there is little money,
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investments in culture are reduced first of all, but with a modest budget the result will be modest. to say that opera in italy is in crisis because it has been left without money would be a bit of an exaggeration. but the fact that we are not able to have a season like before covid is a fact. previously, the financial result could be negative. now, according to the new law, by the end of the season what is called the established balance must be achieved, otherwise funding for the next season will not be allocated. therefore, everyone saves primarily on the stars with their high fees. but this is not only true in italy; for example, the paris opera has a budget of about 300 million euros, and the lyon opera has 10 times less.
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doesn’t allow it, there are many nuances, you can’t say that everything was better before, it was different, i agree that this is a common problem all over the world, of course, in america the situation is still worse, i attended performances in new york, where from 40 to 50% of tickets were not purchased, chicago or san francisco, such luxurious theaters, but...
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this is my position, i am involved in art, music, i am convinced that everyone has equal right to education and access to culture. i’m not saying this to please you or the russian audience, i really believe that even if relations between countries are very tense, you can’t break all ties, then it will be impossible to restore them, it’s necessary to preserve cultural bridges, that’s what i mean i am completely convinced, i am incredibly glad that our meeting took place, i am also very happy, we had a great conversation, i hope to meet again, why not, with pleasure,
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bric versaarei ma può burlarmi ancor, ma può burlarmi ancor, vieni mio vend diretto, mi fa pietà, mazetto, io canterò tuasò.
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in the studio of ladari starkhov, briefly about some of the topics of the issue. in dialogue with time. these were the happiest years of my life. and not only mine. the contemporary theater opened a museum on its birthday. enlightener-creator, creator. emphasis on popularizing those of our values that we consider important. the anatoly lysenko prize was awarded for the first time in moscow. soviet era metaphor. armitage, it stands among other main things of the 20th century. in the armitage after restoration they showed red. from fairy tales to poetry, it is not immediately clear for which voice it was written, that is, there is a range of three octaves, three premieres were performed at once in the zaryadye concert hall. on the birthday of a contemporary, the theater opened its own museum. its discovery is
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part of a project dedicated to the ninetieth anniversary of the birth of galina volchek, who almost led the troupe for half a century. valeria kudryavtseva found out which exhibits were housed in the new exhibition space. the birthday of a contemporary is, as expected, celebrated at work. in the evening the performance on stage is my life. the ceremonial presentation of the non-format award to the seven founding fathers of our time, artists and directors who are now the same age as the theater’s founder, but the main long-awaited event is the opening of the museum. with the departure of the last founder, a crowd of interpreters appeared. history, these interpreters, perhaps, they aroused in me this desire, on documents, on facts, to make this museum. actor viktor tulchinsky, from the generation of the first contemporaries, looks for himself mainly in the photo in the historical part of the exhibition, somewhere
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in the sixties, you see, oleg nikolaevich is reading something there, in general there are telephones in his office, you see, at the heart of the museum there is a rich archive , saved by the theater staff. photographs of artists, rehearsals, minutes, discussions of performances at meetings of the artistic council, printed texts of plays, posters and programs of all events since 1956. the exhibition is divided into several parts: the first - 14 years, while the creator of the contemporary oleg efremov was the artistic director, monochrome and blue. 47 years old, galina volchik, black and white history, modernity, of course, in color. i came to the theater 18 years ago, and of course, i still saw many, many karifeevs in real life. at the opening of the museum , people gathered, in whose fate a contemporary had a special word, time, emotions, memories,
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founded in 1956, a symbol of the thaw era, the authors of the theater reformers tried to speak with the audience in the same language, the creators museum exhibition sought to explore how the large-scale idea that formed the basis of the contemporary passed through the years and continues to live today. once efremov said that a contemporary will be alive until then, a contemporary will... to find this again and god grant them and i
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will root for them and the fact that they took up their history is evidence that they did not reject it . in order to understand and love something, you need to know it, this is exactly how the authors of the project reason, hoping that the new museum of contemporary art will become a place that immerses into the atmosphere of a time when the word contemporary was an important theatrical password. valeria kudryavtseva, dmitry yakovlev, culture news. the enlightener, creator, creator award was awarded for the first time in moscow. it was established in memory of anatoly lysenko, one of the creators of russian television. the award is awarded to a figure of culture, art, or media. in the nomination for personal contribution , the artistic director of the russian academic youth theater alexei borodin was noted. president of the institute of cinema and television valentina lazutkina and the people's ussr artist alexandra pakhmutova. mikhail kusnirovich received the nomination for philanthropy; there were four laureates in the nomination for the achievement:
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director sergei ursulyak, people's artist of the ussr vladimir spevakov, presenter of the tv channel public television of russia viktor loshak, as well as journalist and tv presenter vladimir molchanov. he managed to create so many channels, programs, projects, and most importantly, i’m probably not afraid of this word, give birth. a large number of people who have manifested themselves and are manifesting themselves in the profession, completely unconventionally, brightly, lusenko, anatoly grigorievich, he does what lyubimov did on taganka at rehearsals, from avstanogov in st. petersburg, he knew how to work, he knew how to create from people who, in general, did not know how to do anything before, however, just like i, so he knew how to get out of them something that they didn’t even understand what they had... laid down, the famous red carriage of ilya and emilia kabakov is exhibited after restoration in
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the main headquarters of the hermitage. the work was made in the genre of total installation and, like any work of conceptualism, requires explanation. alexey komarov will give them. for a long time it was impossible to see what the red car looks like inside, but now after restoration you can open the door and enter. before the eyes of the audience is a panorama of the utopian city of the future, the one with...
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the only thing that was not restored this time is this construction debris, this is also part of the installation, it symbolizes the collapse of the idea and construction of communism. by the way, each item has its own inventory number. in july, for the first time , the work of ilya and emilia kabakov, a monument to a vanished civilization, will be shown at the main headquarters. she was transferred to gift to the hermitage in 2014 and has never been exhibited. rakov, nikita moroz.
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a terrible dream and is frightened by its prophetic power, the composition itself is short, lasts about 15 minutes, written for one soloist, in this production there is a vocal and plastic duet, tatyana’s feelings are expressed not only by singing, but also by dancing, next to her alter ego. another mini essay, a wonderful theatrical premiere of the opera, the head of professor dowell in 20 minutes, a reflection on human tragedy, suffering from pain and resentment. miraculously wrote amazing music, of course, the first time
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when you hear it, it is very, very incomprehensible, but then it turns into such a fantastic phantasmagic. his music contains a lot of spiritual music and, i would say, orthodox russian melodies and chants. world premiere of the evening yuri butsko's vocal cycle two fairy tales based on poems by ivan bunin. the score was given to alexandra
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durseneva, the composer’s daughter. 606 manuscript, when he was only 28 years old, he is there. i had just started writing, she said: sasha, this seems to be for your voice, won’t you take a look? i when i looked, i just lost my temper, because it’s so mine. alyonushka alexandra durseneva differs from the image we are used to, created by vosnetsov; she is an unbridled force that destroys and destroys. short-term vocal works of the name. operas are up to par with the current age of technology and an audience that values short, rich impressions and easily accepts eclecticism and diversity of genres; at least it is not drawn out and certainly not boring. jeanette arlt, igor gorbachev, cultural news. tanga performance after sunset the dance company of argentinean germán
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cornejo performed at the dance open festival. the artists transform traditional tango with ballet lifts and acrobatic pirouettes. i realized that to develop i need different styles that enrich tanga, especially ballet, which gives incredible opportunities, so my tango is a synthesis of styles. in his show tango after sunset, cornejo talked about the sleepless nights of buanes aires, the city of love and dance, where bandanion sounds, music is drunk and the most incredible stories happen.
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it is important for each of us to match the virtuosity of our partners and maintain the tango pattern, which requires a lot of energy. carneja dancers, all-rounders. to get into a corpse, it is not enough just to be talented. carneja looks for strong personalities capable of strong emotions. this show requires incredible endurance and strength, there is a lot of dynamics, speed, and changing clothes. we dance to the limit, at the end we are all devastated, but happy. here not only the dance, but also the vocals, and this is also tango, create the atmosphere of the argentine noeva, antonello cirillio and jesus dalga.
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there is a bookmark on george, waiting for the owner, you've got money, a bookmark for a wheelbarrow, how they got stuck, exactly in... one, what kind of car? don’t be afraid, the car is clean, i won’t tie it to anyone, okay , let’s see, before we get in touch, this is a car, yes, this,
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we need to do something, either gut it here, or take it somewhere, drag it awkwardly, suddenly it will explode, the place is too painful good, right under the sign, a tow truck will pull up, they will load it, keep it from being dragged, we’ll quietly look. there’s no need to glow, that’s also true, maybe we’ll take a risk, well, what am i talking about, well, don’t wait until this one damn georgy, especially who the hell knows who he is, or maybe we’ll wait until the little man comes up and we’ll hold him so quietly, lenya, we’re not playing in a spiny bottle, but i get it, i get it, you know how much charge there is, and we’ll determine the radius we can’t, maybe this georgy will just pass by, well, yes
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, or drive by, that’s it, it’s clear, that’s it, okay, we’ll call the equipment, that’s what the experts say, so it will be that we take the investigator with us, no, let him be ready , but don’t drag her there. marya sergeevna, this is korablev hello, state safety inspectorate for juices, your documents, please. what's the problem, boss? speed limit violation. not wearing a seat belt, my fault, i won’t do it again. you there - take the kids for all the trouble, take away the money, what are you doing, boss, what's wrong, damn it, come on,
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just keep it, you're offering me a bribe, no, what are you doing, boss, damn it, well, don’t show off, commander, well, i have to go to the airport, be late, wait, get out of the car, get out of the car, please, let’s go you, stand?
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hello everyone, i can’t sit at home, i can’t sit, oh, my god, my god, buevich is already flying on the wings of love, and these are the guys from the department of internal security, hello, hello, oh yes, this is ours, what’s he like? still a very young boy, just need to water something right away, has been working for a long time, a couple of months, a year,
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so... guys, everything is clear with you, yes, sit, sit, sit, sit, sit, well, dear heart, your head is not spinning , i hit a lot of asphalt, i don’t know, you should be injured, yes, no, well, why not, i’m better i know, volodya, come on, take him to the emergency room, for some reason i don’t like him.
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well, let’s break through, well, a trick with new rights, exactly, marty varopaev andrey albertovich, born january 1, 1976, was deprived of his license for 2 years, an accident, yes, with a victim, harm to health, moderate severity, in april varopaev andrey albertovich with january 7, and so on, i got my license, but i know, this trick, they won’t give you new licenses even for money, because the computer can’t do it, new episode, yeah, excuse me, colleague, i ’ll hand over the rights to our investigation, here’s pyotr anisimovich, come here, negotiate with him, yes, yes, and i’m waiting for the villain’s service weapon, yes, that
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’s the villain, you know later, formalities exist, after all, i understand, volodya, and you bring me the relatives of this andrei albertovich, i need to inspect the car, why did he run away like that? and the traffic police, no less, he has a machine gun in the trunk, well, come on, you haven’t inspected the interior yet, well, the interior has looked, there ’s nothing interesting there, well, let’s take a look at the trunk, come on. edged weapons, article, yes, 100 years ago they abolished responsibility for carrying, it’s not the article, what is it, well,
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this is the only thing that draws a bookmark from... which is all cheese, it’s a pity they didn’t put sausages, it’s our fault, we’re idiots , well, not everything is good, everything, uh, i wonder who georgy is, which means the protocol is oh, high.
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clean hands for the operation, the traffic police’s own security officers didn’t catch the turnover, but what about the packages, it was a saber in the trunk, but we didn’t inspect it there on the ground, now vanya will drive up, let's take a look, that's right, that's right, lazy, what about you? who came along? i, yes, have to look at this traffic cop guy, you know how he hit himself on the asphalt, well now we’ll do an examination, well, i shouldn’t undress him in the bushes, well, yes, they sent him to the tram station, i think he has a concussion, manyun, your bread won’t give you a piece of bread from the crust, no,
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you know what, nina fedorovna came there, brought dinner, belyaev, go, i think there ’s something hot for me to break off, otherwise you know, the gastritis has become attached, and where gastritis, there petrunya may be an ulcer edit. what the hell do we have here? hello, good afternoon. so, let's see, let's see, interesting, interesting. let me take it in my hands. oh,
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yes, please. yes, these are ceremonial service devices. 16th century, gartner factory. four of these were made by order of catherine, the so-called order ones. these are from the service of st. george, for the meeting of gentlemen from the order of st. george. there were also vladimir, alexander nevsky and... andre the first-called, george, which means george.
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uh-huh, i see, come on, bye, well, ladies and gentlemen, let's get started, wait, we need witnesses call, marya sergeevna, it’s okay that we ’re here, there’s more room here, yes, of course. zoya, go to shvetsova, no, don’t drink some tea, witness the inspection, let me grab someone else, maryaevna, you don’t happen to have a pen, you can’t write mine, i’ll take a look now, buevich, here you go, oh, thank you, i’ll give you money i’ll take it, for what is it for the fact that i come here as a job, it’s forbidden to sign protocols, by the way, i’m already in every protocol, listen, don’t worry, where am i to you?
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don’t tell me right now, i can actually leave now, but really, let him go, here it will be calmer, well, what am i really about to do the inspection without witnesses, even if it’s for the furniture, you ’ll answer me for the furniture, look, look, witness, well, petya, write! ready saber without sheath.
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