ukrainians who went abroad without the consent of the military registration and enlistment office will now be deprived of their passports, that is, they will be alone, well, in short, their passports, data, these standards will now be sent to at least a dozen embassies in the european union for legalization, many of these countries decided to expedite the provision of residence permits and citizenship to ukrainian refugees, well, zelensky’s scenario is that these people will become.

they are so unhappy, i don’t take the right sector there and so on, that’s understandable, but many power, well, what did you go to die for, that ’s what? no, well, often this is a force ; zaporozhye and odessa are today leaders in capturing people on the streets and sending them to the front line, and here we need, by the way, to act more actively regarding the formation of units from those who have gone over to the peaceful side and legally determine the fate of these people in the legal field in order to , so that they liberate one land, which makes me happy when the partisans grew.

but the most important thing is a contradiction to himself, on the one hand he asks the west for weapons, says: that’s it, we’ll go, we we’ll lose, urgently, let’s start comparing ourselves with israel, but how can this be, so it’s possible, we can’t, well, because you’re not israel, because all this was explained to you a long time ago, but it will be more clear later. but it’s very interesting how he describes the conference in switzerland, which will be a peace summit, because everyone has a question, what kind of organization is this, what kind of summit will it be, where russia is not going, what is it even about? and he told us today, he says: yes, we plan to do this without russia, because we want to work out a solution to do it this way, so that the russians would not be there, otherwise they would block it, that is, they immediately understand that we will not agree with this, well, when the question tells him:

the front looks completely different, the front is what barel dreamed of then, what we will negotiate we will be at the front, he gives completely different messages to the whole world, who knows , sees, very often in this regard the germans like to reveal a little reality, showing catastrophic situations, by the way, about rabotin, this vymka, they drove 10 brigades there to just hold on to this piece of land, show it to the west, well, we’ve broken through then, we’ll have to move, in the hours of yari the units will surrender entirely. they’re just switching over, this is the trend that’s going on right now, they’re already coming up with ways to deceive their own people in order to safely surrender to the russians. the last trick is to search in the basements for civilian clothes to change clothes, barricade yourself there and wait for the russians, remember there were such beautiful stickers, don’t worry there, and wait for the russians, this is one of the right directions so that your own people don’t could have been destroyed, and the subject matter, you said that they are worried that this trend... associated with escaping from mobilization,

that this is kind of our history, but they have living monuments in the form of abandoned cars that are being driven to the moldovan border , that is, people understand perfectly well. that if you take a taxi driver or a friend, they can give it to you, you buy the cheapest car, on the highway, you drive up, and then you float across the river, but you abandoned the car, that’s when the trucks are removed by passing people, it’s just that the whole side of the road is filled with these abandoned cars, like they’re alive monuments that they do not agree with the position that zelensky is now taking, and zelensky, as i understand it, signed a law on mobilization, this is draconian, which will also confiscate cars, if a person has two, then he should have one we didn’t get to... yes to the border, so as not to drown in them, they didn’t go away, but they are nets, nets in the rivers are not even trying to catch there, by the way, this was voiced absolutely seriously that the tisa would be burned out by nets, but i’m not joking , i understand how they think, no, now in the absence of real

resources to resist our trained army, i spoke today about estonian intelligence, they came out with a report that there are of course more russians, but their command... has sagged very much, they haven’t studied since that time, they have degraded, that is, the sestunians in they are beginning to believe the opposite story, but in our country, despite the hostilities, admission to the academy is ongoing, and the guys from the front are going to study, it’s not from us that he finds out about this, in fact, in our country now, as they say, five-year plans are going on in a year , just many processes, diseases, which were, existed for the peacetime army, they are now being resolved with great speed, this... is related to the competencies, of course, of the command, it is important not to miss this, by the way, vladimirovich, thanks to you, we see from the brigade commanders, like this these developments, how they build them there themselves, and here, of course, everyone has their own things, just fortifications, you probably saw such underground cities, which

were never written down there in any textbook. , i'm surprised that you come and you don’t see him, well, you don’t see him at all, you don’t understand what’s happening, now guys, not only are they tearing him off. they do everything there, they hide the guns, they then raise the birds so that nothing can be seen from the air, and if they suddenly notice that the unmasking factor and so on, let’s improve it, that is , ours have learned well, well, in this regard, of course, more than anyone else barel was pleased, who, therefore, will be gathering his own people there, relatively speaking, the defense committee, he’s practically a minister of sorts.

how is this possible to implement? reality it is completely different, the reality is hitting very hard now, the reality in the middle east, which is starting to worry the west very much there, all the resources, all the attention is switching there, because there can be a very serious blaze there, there are real allies who are called, reality is elections in america, which are not elections, the whole week of voting, where mainly the house of representatives... votes on everyday issues, issues related to our household appliances, every day they remove old amendments that impose restrictions washing machines, everything else, what is ukraine, they will now divide these aid packages, you have a billion, wait, we need to figure out the washing machine, you are with this

ukraine, washing machines, that’s the real problem, the tiktok ban is yes, the tiktok ban, and zelensky how they will ban me from tiktok, and zelensky in his interview says: well, how can it be, we... are dying here, and there the politics are different, and you were immediately told about this in this studio everywhere, but maybe the realization is only now dawning , and really what is he talking about you need to start thinking, not about what he has already missed, it’s impossible to catch up, he most likely needs to turn to the west about where he will be given guarantees for the government in exile, that’s what he needs to think about, which countries, in which he is already plans, the money is transported to the united arab emirates, somewhere else, but it’s already scary there, the arab emirates will not accept him, and london and that’s it.

but in its inconsistency , this short interview probably surpassed all previous ones, to be honest, but generally surprising from a person who goes to bed with his rating and wakes up with your rating.

as soon as some kind of contact is planned, that’s it, the johnsons immediately arrive, the americans, the europeans put pressure, that’s it, it doesn’t matter, now what’s happening is normal for the west, an absolutely normal, stable situation, active hostilities are going on, people are dying there, hundreds of thousands, yes, hundreds of thousands, you compare yourself with israel, you say that well, it’s not a member of nato either, but that you defend it, but in general, what are your complaints against the americans, who do you have any complaints about? if present, i apologize, you signed security guarantees with the germans, with the french

, with the british, with the british, well , ask a question, you signed security guarantees, and why don’t you help us with planes, missiles, and so on? there is nothing about security guarantees, everything is about pr and ratings, he needed... for internal consumption to show that on external platforms, in exchange for the impossibility of joining nato, he signed bilateral guarantees with his western friends partners, well, you signed it, demand it from them, they will poke this piece of paper in your nose and say: well, show me, where is it written that we must go to fight for you, or a british german or french soldier must fight on the territory ukraine, where is this? but there is nothing here, and you don’t want to tell the ukrainian people that you are actually a fake? sold it as serious as this - a document that gives security guarantees, but there

are no security guarantees, but there is an understanding of what the middle east is and israel and what ukraine and europe are, well, for the united states of america, or do you think that these are sort of different interests for them, well, apparently, there is no such understanding when he makes a claim if they share the package there, this is empty talk about democracy and so on. so they have already divided this package and what, they are going to vote everything separately, including on the issue of ukraine, well, when you say that - listen, how can we fight with a ratio of 1:30 artillery and uh, no, one, one by ten for artillery, yes, and there for aircraft 1:30 and so on, so wait, at the start you didn’t understand the ratio in general, how much? how many planes does russia have, what is its economic potential, what is russia's

military-industrial complex, what kind of financial cushion do they have, how much are they prepared in a war, you didn't understand this, but what the problem is, i don't know, i understood whether it’s him or not, there were probably people there who understood it all, but you, as the head of state, contracted for the project, you handed over your country as a testing ground clarification of geopolitical relations in exchange for financing money. decisions related to the army, and zelensky, he demonstrates his inability to make

decisions, although this issue, mobilization and demobilization, exclusively concerns the president and commander-in-chief of the country, this cowardly dog, who calls himself the president of the country, actually never became a politician, you understand , he never became a politician, he was like an actor who wants to realize himself in this role, and to the end. it seems to me that he generally understands that happened with ukraine, he doesn’t have it, he demands this understanding from the west, but it seems to me that he himself has no understanding at all of what he has turned this country into, what he has turned it into and in general what the future is and the last thing about the creditors, i i want to tell you, in fact , don’t worry, this is already a problem for ukraine’s creditors, this is not a problem for ukrainians, this is a problem for creditors, if, understanding all the risks, they are ready to invest money in this country, well then goodby, well, you yourself want to invest, well invest if you want invest, you understand, yes, in what way

it is, well, creditors, they are not morons, they are therefore creditors, because they managed to earn money. it doesn’t have an economy, then its energy sector is destroyed, it has no future, and you want to invest finances there, this means that in reality there is more of a political component, that’s it, well, bear the risks yourself and be responsible for the investments you they were involved in this obviously unprofitable project, vaselovich, and where is zaluzhny, a few months ago they said:

next is the figure, of which the total number 850,000 people, the number of female personnel or women is 62,000, but out of 62,000 female personnel, 44.5 are on the line of combat contact, the first is, as before, nurses, now not, now

drone operators, snipers, then further, further already... nurses, that’s almost 7%, but nato members say that this figure needs to be increased to ten, there are men, there are women, 850,000, the question is who needs it, where, why do you need some kind of mobilization if you have such an army . , yes, some of the military personnel stand on front between ukraine, say the belarusian front, thousands of kilometers, also several hundred there, they are digging, as mr. lukashenko said, as lukashenko said, everything there is mined and so on, well, 12,000, yes, how many do you have on the line of combat contact, 300 , 350 thousand, you have a reserve, syrsky just reported that it passed, conducted an audit, there are people who are listening, well, or resting or where they are or are being treated and so on, that is, please, you have a rotation , if you have the numbers, you have it

you know, pass a law, write down the numbers, write down the concept for mobilization, suddenly, but not suddenly for me, but the ukrainian ombudsman, mr. lubinets , expressed this literally information, public, he said that in ukraine

today there are 37 missing persons, 37, which means there are more than officially dead, which means yes, at the end of the twenty -second year there was a public figure of 1500, 1500 at the end of the twenty-second year, in may 23 23 missing, in december 2 only 26 thousand, today 37 . what is it so they disappeared into obscurity, then they disappeared into even more obscurity, then they disappeared into obscurity, or still there are, as it were, replacements for those who disappeared, people who are alive or who are dead, or it’s like, how does it count, how does it not count when it arrives fab, or the melancholy hits, and now you’re not there at all now, but now please hear one conclusion, let’s do it. so 3100 dead according to zelensky, a month later 37 missing, a total of 68,000 people dead

or missing, about 70 thousand, of course, life everyone is important, but what i want to lead to is that every person who died, the family of someone who died in ukraine, receives 35 million grave rubles in rubles, and this is the situation, the postav says. listen further, 35 million rubles for the deceased ukrainian, the family has the right to receive the family comes, collects documents, says he died immediately by government decision , 1/5, that is, 20% must be given in hand or transferred, that is, 7.5 million rubles to windows bands and the rest up to 35 are transferred or

what should they do the day after tomorrow? or the day after tomorrow he will say: let's get ready for the may shish kebabs, as he said in 1922: don’t worry about anything, you need to prepare for the mansk, he doesn’t care, you know, he doesn’t care about

everything, but he doesn’t care about everything - it will end sooner or later, because he will still be called to account, i i hope it goes to court. that's all, see you tomorrow. good evening, igor strakhov is broadcasting from st. petersburg, in the news studio, briefly about the main thing. an asphalt and concrete plant was launched in yenakievi; it was built by specialists from the leningrad region. ready for testing, the crew of an icebreaker under construction ivan popanin began mastering the new vessel. twelve-year-old nikita is struggling with a serious hematological disease, you can help. art. about the far north at

the museum of the arctic and antarctic scientific conference goal pole, genius loci. at night , a person died under the wheels of a car sharing company car on the liteiny bridge. the accident was caught on video. the collision itself remained behind the scenes. a white car hit a pedestrian at speed. the footage shows the hit bystander being thrown to the side. remains lying on the asphalt; he died on the spot from his injuries. the driver was detained. according to the police , a twenty-six-year-old man was driving the rented car. the medical examination established that the young man was drunk; about two ppm of alcohol was found in his blood. a criminal case has been opened regarding traffic violations resulting in death. the dead sixty-eight-year-old man was a private security officer.

meanwhile, the traffic police are in st. petersburg. staged a large-scale raid, drunk driver, dozens of crews took over the city streets in two days, traffic police detained more than 250 drunken motorists. the majority of violators were brought to administrative responsibility; for the fact that a person got behind the wheel while drunk, he faces a serious fine and up to 2 years of deprivation of his license. this is the first time, but for almost thirty repeat offenders the situation is much worse; such criminal liability awaits them, which begins with the second such detention. a road accident involving construction at about 4 o'clock in the afternoon , in front of the ice palace, a concrete mixer overturned, part of the solution leaked onto the asphalt, the car itself blocked one and a half lanes with its body; unlike ordinary road accidents, the main culprit of the incident could not be immediately taken away. 3 hours after the accident, the concrete mixer was still impeding traffic on five-year plan avenue. the driver told how it all happened: when turning left, he lost control,

well, unfortunately. this is the situation, it’s very good that no one was hurt, but i feel good, the evening rush hour resulted in impressive traffic jams on the adjacent streets from the incident. by this time traffic along the avenue five-year plans at the exit from russian avenue may still be difficult. the joint project of our television company and one of the largest charitable organizations in the country, rusfond, continues. tv viewers can contribute to raising money for the treatment of seriously ill children. this time , twelve-year-old nikita needs help; the boy has been disabled since infancy, and now, to all his troubles, he has added a disease that directly threatens his life. victoria golchinskaya will continue: like any boy, nikita loves cars very much, by the age of twelve he had a large collection of models, almost 100 pieces, from racing cars to family cars, the boy talks about them tirelessly, doors open

there. here's the wallet, there in the cabin, the pibilka loves it, it takes too much energy, not the arc, here, let's go, talking about the disease would not seem like a child full of energy, and what can i say, you can show everything on yourself, here they put it here , then they tried here, here, here, tried, finally they put it here, nikita’s hands are all... covered in marks from the catheter, it can no longer be placed with the first time, every week the boy has a new blood transfusion, for almost a year he has been struggling with red opplasia of the bone marrow, this is when the body produces an insufficient number of red blood cells, they are responsible for metabolic processes in all organs, a blood transfusion, albeit for a short time, returns nikita to his usual life, but such treatment has consequences, each transfusion contributes to the accumulation and

deposition of jelly in the body. it is deposited primarily in the heart, in the liver, and if you do not start achilles therapy on time, then these organs are failing, nikita has a critically high level, over a thousand, since birth nikita has been fighting for life, as a result of a birth injury at 3 months the boy practically lost his sight, the lenses in both eyes were removed, at 6 months the child lost his hearing, here is a new test , without a blood transfusion the child cannot even stand up. no one thought that he would get so seriously ill, once upon a time i refused the social package, that’s why this year i can’t get this drug, i can only restore it next year 2025, but unfortunately the drug we need it urgently to save the child.

more than 750 thousand rubles are needed. for a mother who is raising nikita alone, the amount is unaffordable, you can help viewers of the russia tv channel, the medicine that the collected money will buy yes... a small respite in the fight against the disease, then at least summer dreams, so simple for a twelve-year-old boy, will definitely become reality. i dream of eating with my grandparents, we’ll barbecue there, and swim in the river. but of course, my most cherished dream is to defeat the disease forever. victoria golchinskaya, vyacheslav rakov and alexey chubko, vesti petersburg. to help nikita, you need to send an sms with the word children to number 5542. the cost of the message is 75 rubles. all money raised will go to pay for complex surgeries and medications. on the website of our television company, on the website of rusfond, the addresses on your screens, you can

find out how much money we managed to raise and which of the children they saved the life of. the first batch of finished asphalt was produced at a new plant in yenakieva, an enterprise in this city of the donetsk people's republic, built from scratch by specialists. leningrad region, similar there have never been large-scale facilities there, all production, bunkers, mixers, drying units, conveyors with the latest technology, the first 25 tons of hot asphalt were loaded into kamaz trucks, this batch has already been taken to the city streets, where seasonal road repairs begin. a symbolic start to the work of the plant was given by the chairman of the road committee of the leningrad region denis sidov and the head of yanakiev roman khromenkov. this is the first large project that was implemented here by the leningrad region jointly.

and let's continue. hello, estimate in the studio leonid petrov. there is very little rain, a very small plus, weather forecasters in the st. petersburg region promise on wednesday. according to the hydra data

of the center of st. petersburg, on april 17 , partly cloudy weather will remain in the leningrad region. the air temperature during the day in the rook field will be 2.5° above zero in tiffiny up to +7, about 4° and in some places. it should be a lot humid in baksitogorsk, volkhov, kirishi and gadchin, no warmer than +3 in vyborg. in st. petersburg during the day it will be moderately windy from two to 4° plus, in the northern capital it will be dry and it will definitely look the sun is shining, there will be no precipitation on thursday night either, the degrees may show a slight minus. have a nice day, whatever the weather. the crew of the icebreaker ivan popanin began mastering the new vessel, his. they are still finishing construction, and the sailor officers have already occupied their cabins and began to study the first, so far the only patrol ship in its class. it is designed to protect areas of the arctic maritime zone. on board there is a spacious gym, comfortable relaxation areas,

a galley has begun operating, and meals four times a day. ivan popanin has a large displacement and a durable hull. thanks to it, the ship is able to overcome ice cover more than one and a half meters thick. armed with an automatic artillery mount. factory tests in... release this summer. art about the far north at the st. petersburg museum of the arctic antarctica is hosting a scientific conference goal pole, genius loci. the reports are dedicated to people who were involved in the development of the arctic, in the hall there are those who plan to continue this work. yulia vasilyeva, more details. artist konstantin brilevsky i have never been to the pole personally along the northern sea route with the merchant sidorov, who discovered it. author of this series. traveled without leaving the museum of the arctic and antarctic. the artist learned what merchant ships looked like in the 19th century, what the port of pechora was like, and what the pioneers wore from the memoirs of participants in polar expeditions in the book north of russia, written by the merchant himself.

let’s say, when they started talking about graphite, i studied a lot about what graphite is needed for, what the graphite crucibles that were used in foundries looked like, that is, i said it directly. it seems to me that yes, the only thing there is that they once told me that in his early years his beard was too bushy. the life story of merchant sidorov is the first project that the artist dedicated to the arctic. next in line is the story of the geographer and vice-admiral pavel kruzenshtern; this year they celebrate the 215th anniversary of his birth and a series of paintings dedicated to the ninetieth anniversary of the operation to rescue the chelyuskinites. all this nowadays shows that yes, these are the things we need. this year is filled with important dates in the history of exploration poles. perhaps that is why st. petersburg artists and writers headed for the far north and far south. historian mikhail savinov, author of books about the northern sea route and

antarctica, was faced with an unexpected problem: for his readers, the poles are some kind of abstraction. if we take a soviet schoolchild of the thirties, and for him the arctic is a space in which he goes nowhere, without leaving his city, but due to the huge number of publications in pioneer truth, and in children's magazines, on some radio, then there is one in this practice lives, he knows her, just without leaving, so to speak, and from his school there from...

attentive readers found in the library archives, this book from 1900, the ascent of prince luigi of sovoy to the mountain of the holy food warehouse, a mention of which

a barrel of bread and pea sausage from elias fell in, an unknown polar explorer took it with him on an extreme trip to joseph’s land of france. yulia vasilyeva vyacheslav rakov, evgeny rakov, alexey chubka, vesti petersburg. at the museum of urban electric transport on vasilievsky island they remembered blockade feat. on april 1942 , trams began running again in besieged leningrad and passenger traffic was launched. after the funeral ceremony, a historical exhibition was opened today inside the former tram park. on it, in particular, are the very same cars that entered the line 82 years ago. and also archival photographic evidence. in these photographs , leningrad residents are clearing the tracks from the rubble of destroyed buildings, relaying the rails and re-pulling the contact wires. among the exhibits is a life cable that was laid along the bottom. lakes from volkhovskaya ges. thanks to

this is why in the besieged city the opportunity arose to restore tram traffic. these were the st. petersburg news. all the best. rest. it's leaving yourself alone. rest is nothing to think about when you are calm and completely switched off. rest is rest. we know everything about holidays. anex.

so i’m saying that this is not heaven, like it’s on tv, no, i didn’t believe it before either, now it was and is, if only i could get there, i dream, you’ll get there, you’ll get there, it’s just like that, it’s like that and it will be like on tv, that’s what you have. well truly i’ll say that i don’t know what to say, how are you turning the house upside down, but it seems, it seems that you are right, and yet it is absolutely clear that you are wrong, but i had the most beautiful thoughts and nothing came of them what's left, let's put it off until another time, i'll put my thoughts

in writing, then we'll see, okay, i want him to make her younger, younger, younger, otherwise i won't play, oh madam, oh madam , oh, madam, oh, madam, we must live, live, and not wait for death. good evening everyone, let's talk, i know that there are some questions, it says at the back that i am egor peregudov, we will talk about the theater, i hope, about performances, well, about anything in general , hello, egor, in the year

of the theater's centenary mayakovsky you became his. the artistic director decided to cheer everyone up during the anniversary season, did you succeed, how did you do it? that's a good question. i think it was successful, because there is a lot of work, and work, as we know, brings cheerfulness at first, and then cheerfulness brings results from the work. we have done very, very many things, we produced a huge number of performances on three stages of the theatre, we made renovations, the façade of the auditorium, we carried out. laboratories, readings, we are now conducting an educational project with teenagers, and what’s the most, well, maybe not the most pleasant, but one of the very pleasant things for me is that for our last premiere all tickets have been sold, that is, a viewer of the mayakovsky theater, and a new viewer who comes to our new performances, well

, he seems interested in what we are, what we do, what we can offer, then what can i personally offer, that’s why i think that this will mainly encourage, but... no relation, as you understand, and the centenary anniversary of the theater, for which i had no, how to say, preparations or any plans, there was nothing, yes, that is, for me i came in the middle of may, i had may june, then a vacation and then into september, in october, please, a century, but you are wrong,

so it was very difficult, and i am very grateful to the artists who agreed... well, how to help me with this, yes, because i i told them, well, guys, but the theater is yours, sdievna nemalyaeva has been serving in the theater for 64 years, and in the mayakovsky theater, i was 4 months old at that time, so it’s clear that it’s kind of necessary for you to be on stage that day, and well and so on, someone agreed, someone for various reasons did not agree, but in the end this kind of strange story came together, it didn’t... seemed to consist of them, but with us the difference is that everything, everyone, all our people’s artists, even without these benefit performances there are no stories, they all

go out on stage, they all play, now, in fact, we continue to play the play, we went on tour with him, to st. petersburg, now we are also planning to go to several cities in russia, well, because i think it’s great when you come to a performance where you can see almost everyone, yes , well, as you can see, here, here, nothing. that’s all for yourself, it turns out, that ’s all of them, yes, that’s why, but it was such, well , like such a difficult, feverish story, which actually brought the theater together very much, uh, yes, united those who seemed to want to work with the new artistic director, and who also gave me this energy, an understanding of who i should work with next. it’s always very difficult to come to replace, to stand on a par

with okhlopkov, goncharov, artsebashev, korbausky, on whose experience in the academic school of directing you rely, whose experience of predecessors is closest to you, well, if we talk about maikovsky’s theater, well, i don’t ... to offer something that will continue, as if i don’t know, fantasy about whether i can say someone’s line or someone’s tradition you know, that's all, merekhol led the theater of revolution for 2 years, which means 100 years ago , which is now called mayakovsky, perhaps i will continue the line to the village of delche.

country, yes, for many years he didn’t let anything play, he was driving some kind of trucks in the background, something there, that means he was in the crowd, i believe that if an artist is talented on stage, if he is in demand in cinema, then my the task as a director is to make sure that he combines this, to make sure that the artist develops both here and there, yes, because in the end, yes, the viewer goes to the director, yes, the viewer goes to the author, but for the most part the viewer goes to the artist, the viewer goes to the maikovsky theater to look at igor matvech kostolevsky.

did you feel it yourself? thank you, i didn’t feel it on myself at all, because i was a child, everything was fine with me, i was in love, in parental love, and we lived opposite the white house, all events, therefore, developed as if, that is, it’s possible was watching from the balcony, for me it was an adventure, my brother and i, that means there were these red tracer bullets, i remember it very well, how, how if you could look at the videos, that means... vic and schwarzenegger could mean going out to look out on the balcony if the parents weren’t looking, because everyone was afraid of snipers at that time to see how those red bullets were flying, so

for me it was an adventure, for my parents... i think no, they completely changed their lives, because my dad was a physicist and a teacher at the institute of water transport, my mother was a chemist, she was in charge of a workshop at a paint and varnish factory, they completely changed their areas of activity, they became do private lessons there, english, psychology there, and so on and so forth, and as if i didn’t have the feeling that something was wrong, that there was no money or that there was no food or something else. so i went to a very good gymnasium, learned german, and even exchange people from germany came, and i even went to germany, which was just such manna from heaven, which means i was involved in drama school, went hiking, in general, i lived such a truly happy, adolescent life, a person who was born, as it were, in moscow and lives in the center, maybe that’s why i have

such a, how to say, positive outlook on the world and life, yes, because... well, they kind of saved me from some things. egor, you graduated from inyas with honors, but do you have an excellent student complex? the excellent student complex is, that is, this is a person who always wants to have a diploma with honors, yes, always wants to get straight a's, and well, the fact is that directing is a profession that is very subjective, well, that is, someone is always giving you grades fives, some always give twos. you can’t please everyone, you can’t please everyone and you shouldn’t like everyone, in fact, that’s why it seems to me that no, that i don’t have such an excellent student complex, i rather have a desire to please everyone, it ’s important for me that i treated people well, and people treated me well, yes, i can’t work in conflict, many artists are not happy with this, they believe that the director

should be a tyrant, he should shout at them, force them to humiliate them - that means... don't sleep at night, i don't do that, i don't care interesting, if i quarrel, then i quarrel, well , until the end, no, if we quarrel, then i’m like that’s it, we don’t work together, it ends, so i rather have this peculiarity, translators often become witnesses of important events in the life of the country and society. what important negotiations did your translation facilitate? well, you know, i finished this story quite early, that is, i graduated from ias and immediately went to study at gitis, but like the peaks, the peaks of my translation career, it was a meeting, that means , yuri lushkov with the mayor of dusseldorf, that means at this meeting also discussed the repair of the roof of the moscow state university building, so it means that the main

historical event that i... was involved in, i don’t know if this repair happened in the end, well, i worked more with commercial structures, because there it was possible earn money, quite a lot, because synchronized swimmers earn a lot, i had a period when i traveled almost all of russia there, because there was a lot of marketing research for tobacco companies, which means companies that researched the market collected such focus groups in different cities, asked them different questions to understand what kind of people they were, there were people, relatively speaking, who smoke some very cheap brands, some premium ones, and i, just a person born, all my life, lived in moscow, suddenly, as if in this strange, slightly crooked way, but met people, i realized what kind of people live in different cities of russia and what they are like, and how they actually also differ from each other within one region or within one city? well, you know, there was no such event

that something happened and happened, it happens in my life that everything comes to me quite early, things come to me before i can, well, sort of comprehend them or can even correspond to them, which in fact i understand very well , because it’s always great when the bar that stands in front of you is a little higher than you, it makes you grow, yes, it makes you...

and i’ve always loved theater and rather irresponsibly i thought that i wanted to try to enroll to direct at gitis and this... i was very happy moment in my life, one of the happiest moments, when during the day i was writing a thesis, which meant for inyaz to finish inyaz, and at night i was writing the director’s explication in order to enter gitez, i was very inspired, spiritualized, and i actually wanted , so that people who are engaged in this profession would tell me whether i can do this or not, that’s why there was no such event, yes, that unfolded, it was such a creative adventure, some kind of desire for something... then try it.

how did your relationship develop? trajectories? thank you, that’s how you developed, the parents’ task is to make sure that when you’re gone, your children can live without you, you can help him, support him, naturally, nourish him, that ’s all, that’s all, but he’s on his own , in this regard, if we say about a master and a student, it seems to me that you came to study, you may have your own position, you may agree or... agree, that’s further, now you’ve been studying for 5 years , yes, then you, well, sort of get the right to disagree, to argue, to to do it your own way, yes, then at some point you have to reject

your master, yes, in general, it’s like, no, that’s all, in general, everything is wrong, yes, and then you’ll kind of calm down, you should have a kind of normal friendly relationship, when you can meet, you can drink tea, you can go see each other at a play, because well, directing. a solitary profession, you are alone, yes, you have a team there, artist, composer, yes, you have an artist, but you, ultimately you are alone, you decide, what this performance will be like, you decide what the finale will be like, when the curtain closes, what this artist should do, these are your uh, well, sort of things, and if you run a theater, well, even more so, a whole bunch of other things are loaded on you, too. you alone decide, when i came to maikovsky’s theater, i took goncharov’s two-volume works, my theatrical passions, from which he writes: about sitting in the same office, yes, at the same table at which i am sitting, he writes about the theater, which was 50 years ago, yes, about some of my problems, about how the artists behave, about how the play is composed, about how he is composing

the play now, and i’m also sitting now and composing my play, yes, and as if building these kind of internal parallels there, you understand that you are not alone, that people were doing this, that they were faced with the same thing, in fact, and solved it... one way or another, it seems to me, when a relationship with a master, yes, just like with parents, reaches such a level , well, it’s like health, this is what you need to strive for. egor, you they once admitted that in modern times you not only survived, but also did not break down, did not become disillusioned with your profession. judging by these verbs, you were under pressure, why did anyone help you in the end? different, well, like theaters, they are like people, they... go through different stages of their lives, their development, i found myself in a contemporary at a rather difficult moment in the life of the theater, and i am really grateful to the contemporary, because that in many ways i

succeeded as a director there, and thanks in spite of it, because this theater is very much like that the moment was very difficult, there were great artists there, there was borisovna volchik, in fact, who invited me, with whom we talked a lot, who, well , seemed to have her own understanding of theater, completely different, completely different from mine, and there was the troupe, in fact, well , young directors rushed into the seat, and then, as they say, whoever survived, that, that, that survived, well, the director is the person who directs, who tells how to do it, i come, i work with a wonderful artist lyudmila krylova, oleg’s first wife palavovich tabakov, who at that time had been working in the theater for 50 years. and i, who is only 27, she, who is 50 only in the theater, must tell her how to play, yes, it is clear that she knows 10 times better than me how she should play, yes, it is clear that she has many such

directors and i haven’t seen anyone like them in my life, then my task is to convince her, to captivate her, yes, yes, i offer her a role, yes, i offer her material, but will she play the way i want or will she play the way she wants, this is actually a reason for... imagine what, that means i’m rehearsing with you, now, here you are artists, i’m the director, galina borisovna volchik is sitting behind, well, how would you have a little, that’s right, what do you need me, the top is sitting there, and how it feels for me, you can imagine, i’m just like the smoke from her cigarettes i am enveloped on both sides by what to do, how to conduct this rehearsal, so that here, too, the artists have a feeling, yes, that i know what i want and know how to achieve it, she had this feeling, despite that i’m kind of between these...

two scyls and charybdis, yes, well, that’s it well, it’s like now it shouldn’t look like i’m complaining about something, yes, or like i’m denigrating someone, no, this is a normal thing, now i also come to rehearsals of young directors and that means with the desire to help or advise them , but it’s just like a contemporary at that time was, well, like a theater that really wanted to win, we had a whole group of young directors who, it seems to me, weren’t really able to meet these tasks, yes.

i have developed immunity to poison, so i have developed such an immunity. and you gave five performances in contemporary times, and which performance was the most difficult for you and which one would you be happy to watch from the audience? you know, there was a performance, a warm heart, this is the only performance that i would consider as a performance that i would stage again, it went on quite a bit, it was our first experience of working with vladimir orefyev, with the artist, set designer, with whom then we did almost all the work with the great master and genius. and this was our

first experience, which i am still proud of, then there is the way this performance was invented from the point of view of scenography, it seems to me, well, it’s kind of cooler, nothing, nothing, nothing could have happened, you know, what’s the matter, it’s also a pretty funny story, a lot of wonderful, very famous artists were involved , which is very important for a contemporary, because a contemporary is a theater where they also went to see stars, went to see famous artists, and a warm heart, i didn’t know the corpse very well, then one person who treated me well, having seen the distribution, he said, you're crazy, you're crazy, this is a pre-infarction distribution, these people, if you put them together, this is a thermonuclear explosion, they, that i didn't know anything about this, someone doesn't talk to someone at all, and so on and so forth on and so on, and it was a very difficult release with a lot of conflicts, with a lot of misunderstandings, several artists left there, i took other artists, then he came out, but he passed, there was one very good performance, it all worked out for this the performance came...

konstantin, who liked it so much that he called me to the saterikon, i did two performances in the saterikon and, in fact, well , some of my further paths without a contemporary, it started, like, from this, you know, so here, well, it’s like theater, you never know , what this work will bring you, what it will make your life, so this warm heart, he is very dear to me from different sides and... i am so sad that he quickly disappeared, but at the same time, as if in my life, in my he played a very important role in fate. egor, the time when you were the main director of ramta, how would you like it to be so that at this time the theater would be described in theater encyclopedias? well, this is such a big experiment, it seems to me, which is for...

the director odimovich barodin - who has been directing it for 40 years, in fact, for whom this theater is tailored and exists, that's why when the offer arose to head... egor, you translated the plays, kind a man

from the season and drums in the night, but the translations have already been made a long time ago, especially the drums, the play was not successful in germany, people did not like it. know, but as wikipedia writes, in the ussr didn’t particularly like her either. egor, attention, question. why did you need it? thanks for the answer. the thing is, it wasn't me who needed it. director yuri nikolavich butusov needed it, who did both performances at the pushkin theater. and since at that time we worked together at gitis in the workshop of sergei vasilevich zhanavach, and he knew that i was a translator and that i knew well. a language that, well, there was such a proposal, at first it was a kind man, he said, would you like to translate, because he has there was a feeling that the translation was somehow not quite right, yes, here we really have to pay tribute to yuri nikolaevich’s instincts, the fact is that,

well, relatively speaking, the school of soviet translation is a great school, and of literary translation, and the fact that was translated in soviet times, well... not always, if we talk about brecht and his plays, a lot is smoothed out there, brecht was very rough, very fundamentally so hypothetical, well, in general, as if something was not needed it was like in the soviet theater, and besides, brecht wrote a lot about all sorts of capitalist realities that did not exist in the soviet union, yes, that is, relatively speaking, there are people there who have their own business or. like their own stores or their own, and there’s a lot of talk about this, but it’s like ostrovsky is doing now, there’s also a lawyer, a clerk, banknotes, go there and understand what is meant there, yes, although in reality it’s a very specific, very clear system that still works, in order to bring you

closer to us, in order to in fact, first of all, the director and artists understood what was going on, but this story with translations was started, then... it seemed like a kind person, people heard the text, and there are a lot of zongs and a lot of poetry, really some kind of... then so rough, rough, which i deliberately did not smooth out, then drums appeared in the night, such an early piece by brecht, and very complex, which no one has ever succeeded in, but yuri nikolaevich is a great master, he succeeded. egor, why did you come to the saterikon to konstantin raikin and timofey tribuntsev and malier? these are two great artists who are absolutely a match for malier, who really doesn’t like it when they

film rehearsals; for the first time, as far as i know, he said that it’s a pity that we didn’t film these rehearsals, yes, because, well, that would be. yes, in fact, as if, when he comes out, it seems to me that in the third second there is doubt that he, don juan, they dissipate, because, well, his energy, his personality, his acting skills, quality , he is a powerful artist, but how does he look at

timofey, when he works here, when we were rehearsing, sakavich sometimes also seemed to go out of character and just looked at timofey, admiring his monologue, i say, by the way, you are now looking like an artistic director, you are now looking like a theater director at your artist , no need, go back to the character, this is like a thermonuclear mixture, the play has been going on for quite a long time and yes, but it’s like a folk hit, i last saw it in st. petersburg on tour, when there were 1,500 people there, that’s how it is just, well, as if we, i don’t know what’s there we have a rock concert there, and it’s like that...

to say, for example, that your feelings for me are unchanged, and that you still love me just as passionately, and no force other than death can separate you from me, namely, that you had to leave against your will without notifying me, and you will have to stay here for some more time, and i, and i have to go home,

wait for me there, yes, with full confidence that you will not hesitate a second to return, you you are burning with the desire to return to me, that for you our separation is the same torture as torture, like separation, i go for body and soul, what a clever girl, and you once mentioned that it is important for you to light a cigarette from historical artifacts, and why is this important to you? well, lighting a cigarette means taking energy, yes, that is, theater is such a strange thing, but it is very unrealistic, well, i don’t know how to explain, but there is a movie, and you can always get a disk there or a flash drive, or download it and watch this movie. and the performance, it ’s like today, but there they called me today, they said that

there wouldn’t be one of my performances, yes, yesterday i lived with the feeling that he is this performance, although it was not on, and today i know that it is not, you know, well, i don’t know how to explain it, what it can be compared with, it’s not not, how to say, pathetic, like the death of a person, of course, yes, you shouldn’t treat it like that, but here’s something that could happen, could happen in a month. it will never exist again, it will never be played, and at the same time, for six months of my life or a year of my life i lived in this story with these people and so on, and therefore when some elements of the performance remain, props there or costume, you treat them differently, and when we rehearsed don juan, for example, we brought props from the play makbed by yuri nikolavich butusov, it was a performance that completely shocked me and after which i actually decided for... with this profession, yes , suddenly, in the same place where

this play macbed was rehearsing, suddenly they bring me swords from this play, and i remember them on stage, yes, i don’t know how long it was there, 10-15 years ago, you know, suddenly they’re here , so i can touch them, well, this is probably like if we go to a museum, now, if i’m not mistaken, there you go to the museum, pushkin’s apartment, there are no real things that pushkin kept, they haven’t been preserved, yes, but if you go there, i don’t know where tolstoy in khamovnik and you kind of understand that, well , well, well, here it is, these here, as if his hands were lying here, and these railings and he walked and held on to them, well, this is, well, this is some kind of important very thing that allows you to relate, well, a little bit with these people, you know, or when a person from restaurant - according to shmilev’s story, i had access to shmilev’s manuscripts, which were in paris, and then returned to russia, yes, and i’m in the lenin library, which means i’m opening, that is, this is a handwritten man lying here, he

was sitting , wrote with his hand, i write with my left hand, he wrote with his right hand, here it lies in front of me, it’s like a text that is 100 years old, and which now my artist will pronounce, yes, or in my office there is a table at which mir worked hold, yes, and i work at the same table, you know, it kind of, well, gives you a little feeling... egor: the age of 40 in men, as a rule, evokes negative emotions, everyone is afraid of a midlife crisis, so it evokes negative emotions in anyone, in men or in people around men, in men themselves, having celebrated your fortieth birthday, you ...fall into this trap? no, i didn’t get it, but i’m a little

different, i mean, this is actually lev nikolayevich tolstoy, he measured everything as if in seven years, that is, it’s like... years are confusing you, so i still have 2 more years until the next one, that means , 42, something will probably happen, i don’t know, 40 years old in general slipped through without noticing, egor, you said that marquez is your internal artifact, please explain, i blurted out something. an internal artifact, i don’t know how it is, well, it’s not an artifact, it’s more like some kind of inner tuning fork of mine, or rather something that to me , well, it’s like this is an author whose world is very close to me, and whose world into whose world i want to come back, yes, i said this in connection with the fact that i did the play love according to marquez at the maikovsky theater, it was such

a rather strange choice, yes, because what do marquises rarely do and why? why do we need to start with it in the theater and so on and so on, well, we all have certain places where we want to return, but it could be the place where we grew up, it could be there, i don’t know , my grandmother’s village, it could be the school where we studied, it could be, i don’t know, some city where we felt good at some point in our lives, yes, it’s like from this place we also, how to say, get what - energy, we want to return there, that’s how marquis - this is that world. in which i feel good, yes, the laws of which are very different, yes, from the real world, but that is why they are very, very close to me, yes, because i and after there is such a roman mikhailov, a wonderful writer, i did a play dreams my father into the framework according to his stories, and he said a very simple thought, yes, that

he believes that there are several things, if you do them, then when you appear, it means that this is in front of everything... starting from all religious texts, which can also be considered such stories, yes, ending with fairy tales and folk tales and epics, and so on and so on and so on right up to markis or roman mikhailov, these are all magical stories that spiritualize us, that heal us, that help us cope with the reality

that there are outside books or outside the theater or outside... my friends watched the play "love according to marquez", they got the impression that this was a man's play created by a man, and

a man who only towards the end of his life realized that he had missed the most the main thing is love, right? viewers, what did you want to say with this performance? you have good friends, they go to good, right performances, well , that’s all, in fact, it’s all true, the funny thing is that the theater is attended by women, yes, but at the same time, it’s as if the performance was staged by a man, about a man, not this performance , it’s about love, just because i’m a man, i kind of have this view of love, and so does markis.

i realized that love is, well, like intimate intimacy, and suddenly i realized that love can exist without this, yes, and no matter how.

and by the way, according to marquis, love goes more men, now, what percentage of your life is work, how much is the rest, and what is included in the rest, you need to ask my family, they will answer you, like in reality, you know, like when i release a play, right? what does it mean to produce a play? you can rehearse it, and then you go on stage, and there, from 11 am to 11 pm, the performance is born over the course of 2-3-4 weeks. when the graduation is on, i

’m not there, as if 100% of my life is there, yes, because i have to breathe, breathe, that means everything i can breathe into this work, so when i was just working as a director, it’s like i have rehearsals in the morning, then students, then that means... well, in general , i spend a lot of time on work, but the main problem is probably friend, that this work differs from ordinary work in that it happens in me all the time, it’s one thing you’re composing a play, now, if you’re in charge of a theater, it’s like in my head all the time i know what’s here now on stage here this, today master classes for teenagers began, they will write plays, i wonder what kind of teenagers there are and what kind of plays they will write? yes, there is a big, big constant process going on, how to say, invisible, invisible to the world, well, probably, without which i can no longer, but i’m

really trying to, well, how to say, push some things apart, so as not to be only in this , yes, this is reading, if you read, you seem to go into another world, you don’t think about the theater, if you are lucky , the book is good, yes - why in 2023 did you choose the play forest , why is the main metaphor of the play water? to me it’s not just the water that’s important, what’s important to me is

the feeling of something frozen, the feeling of some kind of stagnant water, it’s not like a river and it’s not like some kind of stream or flow, it’s something frozen, this is a backwater in which there are these trees that seem to have been cut down, not very beautiful, kind of gray. it’s like a place where nothing changes, water is what should change everything, yes water is what renews, water is what washes away, water is what flows, when water doesn’t flow, it’s strange , this it’s wrong, it’s unnatural, water should flow, yes, life should develop, it’s like a feeling, well, that’s today’s time, yes.

the forest is such a play, well, everyone knows it’s about theater, since there are characters, two actors, yes, it means it’s about theater, we are now, well, i personally think a lot about what theater can be now, yes, in this, well, sort of difficult situation in which we all live, what can theater give and is it needed at all, yes, when there was covid and theaters weren’t working, then people... came out there are 20%, 50% occupancy, yes, it was a very strange feeling, but that is, the theaters were closed, i think, well, how would everyone live normally, yes, the theaters are not working, so what, and then, when the theaters opened and people came these people who were ready to sit in masks in a half-empty hall and watch performances, i suddenly realized that theater is a very , well, necessary component of normal life, for a small number of people, but going to the theater is not

television, not the internet, a very small number of people go to the theater, but for them this is very important, in this sense, les answers very, it seems to me with simple things, yes, we need, we need, as it were, like a fantasy, like a game, yes, like something that can help us, yes, a person who has a perfectly developed fantasy, yes, maybe, if he wants, he can hide there, yes, he can sneak there.

we made such a tragic ending, yes, that , as it were, he is the main character, well, in order to become a hero, you need, you need to die, yes, this, unfortunately, is also a kind of given, uh, in which we live, yes, with us such a program funny, in which we collected notices, it means, from newspapers of ostrovsky’s time, which scolded ostrovsky in a terrible way, absolutely, uh, simply terrifying, there, mr. ostrovsky, what a pity that you didn’t die before

writing the play. late love, for example, you know, and what kind of telegram channels, what kind of internet, that’s how you go to a newspaper and you read, and he’s already a master, he’s already a recognized uh master and genius, this is what people always face will always face , and what we are faced with, and we, as it were, our answer is simple, we, as it were, we put on costumes, yes, we open the play, we go to rehearsal and we tell stories that excite us, that... make us laugh, cry, and that help us escape for a while, yes, in this sense , that’s where i talked about this as would be the forest and marquez, such a season, like theater as salvation, and theater as our common salvation from what is outside, from what is behind its walls, thank you very much for interesting questions, for

open faces, for being came because maybe not you, but your friends go to theater for the play love according to markis, maybe you will come, come to the maikovsky theater and come to the theater in general, it seems to me that you should go to the theater now, where else to go, right, thank you, thank you very much, thank you, thank you very much, they say you need to prepare for a vacation, you need to be able to relax, you need to relax beautifully, but

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hello, it's news time on our channel in the lada aristarkhova studio. briefly about some of the topics of the issue. collector of collections. there were collections that told about dynasties, about monarchies; it was necessary to tell about the history of the russian people. an exhibition of count uvarov, archaeologist, collector-educator, has opened in the historical museum. 400 years of history. i must say that such forms are generally rare in architecture. the fire almost destroyed building of the old stock exchange of copenhagen. arctic cinema. i think. uvarov, archaeologist, collector, educator, is celebrating the 200th anniversary

of the birth of its founder with a large exhibition. the exhibition tells the story of uvarov’s life and demonstrates the diversity of his collections. anton nikolaev will continue. marked envelope with a portrait of uvarov, as well as a scientific conference, archaeologist, collector, educator and the first director of the historical museum, in the office of the chairman of which an exhibition reflecting diverse activities. a huge amount of effort was used to ensure that first this idea was accepted, and then for it to be realized, there were already

collections that told about the dynasty and monarchies, it was necessary to tell about the history of the russian people, and such a museum was created. alexey uvarov was interested in both antiquity and the byzantine period, but most of all russian history; he also collected ancient ones. the manuscript is a spiritual letter from 1436 by the venerable dionysius of glushitsky. and icons with unusual stories that i read like books. in the greek manual for icon painters, this plot is called the life of a true monk. he believed that the ancient period of our history , reflected in the chronicles, in these written sources, was recorded only by the external side of events. and what... and took part in the development of its

design, uvarov’s correspondence with aivazovsky and his sketch from the panorama of the kerch strait, which can still be seen today in the museum hall, have been preserved. another area of ​​activity of alexey uvarov is archaeological excavations, which he carried out , including in crimea. he started with antiquity, with a trip to olbia, an ancient city, the south, the then south of russia, near the black sea, so he led. excavations in chersonesus, but he was the first to turn to the search for ancient russian mounds as archaeological objects, he was the first to begin their extensive excavations. archaeological finds of the 10th-11th centuries made by uvarov in the vicinity of ancient suzdal. today , researchers from the historical museum of the institute of archeology continue to work there. this year millennium of suzdal, another expedition will take place in the footsteps of uvarov. anton nikolaev. alexander podkokha, culture news. a fire

has almost destroyed the historic building of the old stock exchange in copenhagen. people tried to remove paintings and antiques from the burning building. according to preliminary data , the fire was located in the room where restorers were working. valeria kudryavtseva has details. 400 years of danish cultural heritage in flames. this is how the minister spoke about what was happening. cultures of denmark, jakob engel schmidt. old stock exchange building burson, one of the main symbols of copenhagen, burst into flames early in the morning. since then, world news agencies have shown increasingly dramatic footage of what is happening. the fire engulfed all floors of the building and the roof partially collapsed. about 120 firefighters and 60 military personnel are on site. they help save valuables. the historic bson stock exchange building was built in 1625.