, i was commissioned to write that about six months ago by a patron of the royal college of music, who's also a patron of mine, mark redman , and patron of mine, mark redman, and i've written a series of works for we both hold to for him. we both hold to a belief, and actually we met through vladimir ashkenazy , who through vladimir ashkenazy, who supported my work from about two thousand and seven, and he said to me when i met him, is your music very atonal and because he said, all i hear is atonal, atonal, atonal. i said , no, it's atonal, atonal. i said, no, it's very tonal. i couldn't believe it. you know, my luck , and so he it. you know, my luck, and so he supported me ever since. through him, met redman . mark him, i met mark redman. mark redman has been supporting my work. every time i write work. and so every time i write a piece of music, i'm really doing the thing which a composer is just not supposed to do, which is write tune . so, which is write a tune. so, you'll hear that the music is dnven . you'll hear that the music is driven . a melody was driven by melody. a melody w