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york city. >> new york city, new york state. you are at the top of the list. you learn that the hard way several times. security and making sure the people in this state are secure, public safety is job one. and understand the diming that is driving. charlie i don't believe this goes away, i don't believe this gets better. i believe this is a new normal. i believe this isis, there are a number of groups. >> rose: you support what the president has done so far. >> i support -- >> rose: should he do more. >> i support the president in his war on terror. he's the commander in chief, he calls the shots. i don't think that we can do enough. i think this is the new reality. >> rose: should the president havecm done more in syria. you know what the criticism of the president is at an early time when asked to support and secretary clinton said we need to do more and ci director petraeus and defense secretary all said we should do more and the president said no. >> yes. for me charlie it's like yesterday, i'm not going to second guess th
york city. >> new york city, new york state. you are at the top of the list. you learn that the hard way several times. security and making sure the people in this state are secure, public safety is job one. and understand the diming that is driving. charlie i don't believe this goes away, i don't believe this gets better. i believe this is a new normal. i believe this isis, there are a number of groups. >> rose: you support what the president has done so far. >> i support --...
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new york city, i represent new york state. my constituents are in new york city but i represent the whole state, and there is a difference between upstate and downstate. by ideology there is a difference, so they are very different jobs and two very different constituencies with two different sets of values. in my position at the end of the day, i have to make sure that this state is economically competitive, and i have to make sure that the tax situation keeps us competitive, so yes, i reduced taxes all across the board, not just for the rich. the middle class has paid lower taxes than they have since the 1950's. we cut the waste and fraud. from my point of view, that is exactly what we should be doing. that is what a progressive should be doing. when did it become written in the bible that are aggressive politics is running an inefficient, bloated government? no. progressive politics is running an efficient, streamlined government that actually gets results and performs more money, more money, more money. that is not the man
new york city, i represent new york state. my constituents are in new york city but i represent the whole state, and there is a difference between upstate and downstate. by ideology there is a difference, so they are very different jobs and two very different constituencies with two different sets of values. in my position at the end of the day, i have to make sure that this state is economically competitive, and i have to make sure that the tax situation keeps us competitive, so yes, i reduced...
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he spoke to me about that time and his rivalry with "the new york times." >> "the new york times" had gotten it, it was their story, and they had published it for three days. we were just sucking air. we did not have it. we had to do that most iritating of all newspaper acts, you have to quote the other paper. blah blah blah blah blah, "the new york times" said today. >> later, he backed the reporters that broke the story that led to president nixon's resignation. >> that accentuated what the pentagon papers had done for you. you were a force to be reckoned with and you would beat everybody. >> it put us on the map. nixon did. and then it put us on the stage, where journalists are not supposed to be and they are not very comfortable and particularly good at. rattled us all for a while. >> i talked to bob woodward and carl bernstein and they reflected on their time working with them. >> he had this glass office and you could see who was working in there. and he would get out and there would be a hundred pairs of eyes following him around. where is he going, what is the action? if two p
he spoke to me about that time and his rivalry with "the new york times." >> "the new york times" had gotten it, it was their story, and they had published it for three days. we were just sucking air. we did not have it. we had to do that most iritating of all newspaper acts, you have to quote the other paper. blah blah blah blah blah, "the new york times" said today. >> later, he backed the reporters that broke the story that led to president nixon's...
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he spoke to me about that time and his rival with the "new york times." >> the "new york times" had gotten it, it was their story and they published it for three days and we were just sucking air. we didn't have it and we had to do the most denigrating of all newspaper acts, you had to quote the other paper. blacks blah, blah-- blah, blah,w york times" -- terrible! >> charlie: a year later, ben bradley and two young reporters broke the story that led to richard nixon's resignation. watergate, it accentuated what the pentagon papers had done with. with you were a force to be reckoned with and you beat everybody, every television program and paper in america. >> yeah, it put us on the map, nixon did, and then it put us on the stage where we were -- where journalists are not supposed to be and they're not comfortable and they're not particularly good at it and that rattled us for a while. >> charlie: i spoke with bob woodward and carl bernstein earlier this week and they reflected on their time working with bradlee. >> in the news room when we were working on the story, but at all times he ha
he spoke to me about that time and his rival with the "new york times." >> the "new york times" had gotten it, it was their story and they published it for three days and we were just sucking air. we didn't have it and we had to do the most denigrating of all newspaper acts, you had to quote the other paper. blacks blah, blah-- blah, blah,w york times" -- terrible! >> charlie: a year later, ben bradley and two young reporters broke the story that led to...
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at all because new york had -- bad plans were basically not allowed in new york, which meant lots of people had nothing at all. if it were not a stick that republicans wanted to use to beat up the president, this would be reported as a really startling policy success, but the public does not see that. >> does that mean obama is a great president? >> i think it is the primary reason. this is a defining achievement. but other things, financial reform, is much better than people think. a lot of people think that because no wall street people went to jail, which i regret, too, that nothing was done. which is not true. that's serious, but i would have liked to see some people sent to jail to encourage the others. looking forward in terms of legacy, what we have now is much more effective regulation of large financial institutions. we have serious consumer protection, which we did not have at all before. that's not nearly as big a deal as health care, but people talk as if nothing was done, and it is better than people realize. >> did you read leon panetta's book? >> i'm not a cheerleader
at all because new york had -- bad plans were basically not allowed in new york, which meant lots of people had nothing at all. if it were not a stick that republicans wanted to use to beat up the president, this would be reported as a really startling policy success, but the public does not see that. >> does that mean obama is a great president? >> i think it is the primary reason. this is a defining achievement. but other things, financial reform, is much better than people think....
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that was-- you know, i didn't like people to say "the new york times", i wanted "the new york times" and the post. and that helped. it was a big step on the way. >> rose: explain the chem stroh between the two of you. it seems like -- >> pe and katharine. >> rose: an odd couple that works. >> i done know how odd it is. but-- . >> rose: well, it's different. are you different people, i mean you and katharine are very different people you sat down with her and when you wanted this job and said of course the famous line, i'll give my left one to beed editor of "the washington post". >> it was managing editor. >> he wouldn't have given the other one. >> i was wonder being that. i was going to say you give one for "the washington post"-- i mean would you -- >> they got one. >> well, i i thought she was-- i mean daily newspaper is so much-- so vibrant, so pos tich, you can get somebody into jail, overnight you can do things. the chance to do t it was the perfect opportunity to go back there because i knew, i knew all the reporters in america at that time. i really did. i knew the good one,
that was-- you know, i didn't like people to say "the new york times", i wanted "the new york times" and the post. and that helped. it was a big step on the way. >> rose: explain the chem stroh between the two of you. it seems like -- >> pe and katharine. >> rose: an odd couple that works. >> i done know how odd it is. but-- . >> rose: well, it's different. are you different people, i mean you and katharine are very different people you sat down...
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> him of the new york city, ."is is "charlie rose oscar was a giant of the fashion industry. special onems was a al'sis triumphs was am wedding dress for her marriage to george clooney. own infirmity years, he grew up a new -- i have known them for many years, he grew up in the dominican republic. >> while i was in spain -- i was from a big family, i am the youngest. it was a lot of pressure on me to come back to the dominican republic. i did not see myself selling insurance. i tried to demonstrate my father that i could make it on my own. fashiond doing illustrations for magazines in spain because i could do it very well. that led me to the fashion houses and to learn what fashion was all about. he offered me a job to come and work as an illustrator in his house. .hat really is the getting i never, ever went to fashion bestl, but i went to the fashion school, because i had the opportunity to work in house so i could see how they were constructed. so i could be a fashion designer and paint. i kept doing goes for a long period of time over the years that i lived in paris. each
> him of the new york city, ."is is "charlie rose oscar was a giant of the fashion industry. special onems was a al'sis triumphs was am wedding dress for her marriage to george clooney. own infirmity years, he grew up a new -- i have known them for many years, he grew up in the dominican republic. >> while i was in spain -- i was from a big family, i am the youngest. it was a lot of pressure on me to come back to the dominican republic. i did not see myself selling insurance....
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i wanted the new york times and the post. that helped. it was a big step on the way. >> the chemistry between the two of you seems like -- an odd couple that works. how odd it is. >> you and catherine were very different evil. you sat down with her and when you wanted this job and said, the famous line, i will give my left one to be the editor of the washington post. [laughter] >> it was managing editor. editor, i would have given the other one. >> i was going to say -- >> well, i liked her. i thought she was, i mean, daily newspaper is so vibrant, though -- so positive. you can do things with it. you can get somebody into jail, do something overnight. the chance to do it, it was the perfect opportunity. because i knew all the reporters in america at that time. the good the good young ones. ones. >> but you needed a publisher like her and she needed an editor like you. >> that is probably why it worked. >> most people say this, what bradlee has is great instinct. that is what you have in abundance. what do you think it is about being a go
i wanted the new york times and the post. that helped. it was a big step on the way. >> the chemistry between the two of you seems like -- an odd couple that works. how odd it is. >> you and catherine were very different evil. you sat down with her and when you wanted this job and said, the famous line, i will give my left one to be the editor of the washington post. [laughter] >> it was managing editor. editor, i would have given the other one. >> i was going to say --...
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. >> rose: we continue with peter baker of "the new york times" talking about the informat( received from the intelligence community about decisions he had to make about syria and i%5$- the initial concernñr inside the government of the united statesi about isis or isil was mainly about as a source of foreign3!uo the united states or europe and commit terrorist acts here. still is a concern but what they did not focus on really was the regional, territorial aspirations this group had. it is something different than al qaeda, al qaeda didn't actually try to create a the caliphate, even if it talked about it, these guys from isis or isil again actually did see the great swath of territory in syria and iraq that they have now made into an effective state of bai's called all the truth is out which he makes the case that politicalçó reporting of politil candidates changed after the gary hart c seen anything like that prior and of course we have seen it many times since. the reason for me, you know, is that i spent a lot of yearsÑi now as y# campaigns, and national politics. and i had
. >> rose: we continue with peter baker of "the new york times" talking about the informat( received from the intelligence community about decisions he had to make about syria and i%5$- the initial concernñr inside the government of the united statesi about isis or isil was mainly about as a source of foreign3!uo the united states or europe and commit terrorist acts here. still is a concern but what they did not focus on really was the regional, territorial aspirations this...
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i wanted the new york times and the post. that helped. it was a big step on the way. >> the chemistry between the two of you seems like -- >> i don't know how hard it is. >> it is different. you are different people. you sat down with her and when you wanted this job and said, the famous line, i will give my left one to be the editor of the washington post. [applause] >> i would have given the other one. one -- how many -- >> well, i liked her. newspaper is so much, so vibrant, so positive. you can do things with it. you can get something overnight. the chance to do it, it was the perfect opportunity. i knew all the reporters at that time. the good young ones. but you needed a publisher like her and she needed an editor like you. most people say this, what bradlee has is great instinct. that is what you have in abundance. what do you think it is about being a good editor that served you well? >> i was curious. i came along at the perfect time. you can't quibble with my sense of timing. just as katharine graham was interested in expanding
i wanted the new york times and the post. that helped. it was a big step on the way. >> the chemistry between the two of you seems like -- >> i don't know how hard it is. >> it is different. you are different people. you sat down with her and when you wanted this job and said, the famous line, i will give my left one to be the editor of the washington post. [applause] >> i would have given the other one. one -- how many -- >> well, i liked her. newspaper is so...
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york and in new york, that didn't happen at all because new york had more details, but there were -- bad plans were basically not allowed in new york, but that meant that lots of people had nothing at all. so, no, if it weren't a fit that fix that republicans want to stick to use on the president this would be viewed and reported as really startling success but the public doesn't really know. >> rose: is that why you think you think president obama is a great president. >> the main thing because this is a defining achievement. but other things financial reform, is much better than people think, a lot of people think well because no wall street people went to jail which i regret that too, that nothing was done. and that is not true. there is a reason why wall street is screaming bloody murder and -- >> rose: in the just department -- >> well, yes, okay. that is a serious -- in a way, i mean i would have liked to see it, i would have liked to see some people sent to jail to encourage the others, but in looking forward in terms of legacy what we have now is much more effective regulatio
york and in new york, that didn't happen at all because new york had more details, but there were -- bad plans were basically not allowed in new york, but that meant that lots of people had nothing at all. so, no, if it weren't a fit that fix that republicans want to stick to use on the president this would be viewed and reported as really startling success but the public doesn't really know. >> rose: is that why you think you think president obama is a great president. >> the main...
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this is the "new york times." this ad cost them maybe at least $150,000, don't you think. >> i was going to say at least 200 bucks. >> rose: probably that. by purchasing yes, please buy amy poehler. you commit to the following and i hereby swear to purchase the book and read it. may be red on subway airplane, cannot be read while driving, giving birth or walking near parks and water fountains. discuss the book with family and friends and purchase more copies. >> it's great when you read it. >> rose: they have big expectations for you. >> lots of pressure. >> rose: unless amy can deliver, we need to go down with that ad. >> rose: here you are at the ripe old age of something desiegd it's time to write my memoir. i've got so much to tell. >> i'm 43 and i find myself stuck in the middle of life. young children, parents still alive, really busy, career luckily flourishing and feeling really juicy. i think a very street level perspective of life so much not a burden's eye view. a lot of the stuff i read are people that
this is the "new york times." this ad cost them maybe at least $150,000, don't you think. >> i was going to say at least 200 bucks. >> rose: probably that. by purchasing yes, please buy amy poehler. you commit to the following and i hereby swear to purchase the book and read it. may be red on subway airplane, cannot be read while driving, giving birth or walking near parks and water fountains. discuss the book with family and friends and purchase more copies. >> it's...
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i had written about it for the "new york times," published a short video about n.s.a. whistle blower who was published in
i had written about it for the "new york times," published a short video about n.s.a. whistle blower who was published in
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i had written about it for the "new york times," published a short video about n.s.a. whistle blower who was published in summer of 2012 and wrote about tex persons of being on a watch list and what does it mean for a journalist to have that a kind of scrutiny and glenn had written about the fact i was on a watch list. so when i was asking snowden in the first e-mails, well, why me, because, you know, at first you see somebody contacts you out of blue, it's good to be a little skeptical, who are, they is it entrapment, is it some kind of -- and he just said, well, you know, it's work you have been doing is why i'm contacting you, and i think that he also -- he knew i was working on thetomic of n.s.a. because of what i'd done in the "times," and i think he knew that i was sensitive to the issues and the -- i guess you could say the
i had written about it for the "new york times," published a short video about n.s.a. whistle blower who was published in summer of 2012 and wrote about tex persons of being on a watch list and what does it mean for a journalist to have that a kind of scrutiny and glenn had written about the fact i was on a watch list. so when i was asking snowden in the first e-mails, well, why me, because, you know, at first you see somebody contacts you out of blue, it's good to be a little...
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>> from our studios in new york city, this is "charlie rose." >> "birdman" is a new movie by mexican filmmaker alejandro inarritu and follows the washed up actor once famous for playing an iconic superhero as he attempts to make a comeback. "variety" magainze writes the film is preoccupied with an aging actor psyche, but also addresses fatherhood and personal integrity and the enduring question of the legacy we leave behind. here's the trailer. >> ♪ i remember when, i remember i remember when i lost my mind there's something so pleasant about that day even your emotions haven't let go, so much faith ♪ >> how did we end up here in this dump? >> you were a movie star, remember? >> ♪ maybe i'm crazy maybe you're crazy maybe we're crazy ♪ >> you are birdman. let's go back one more time and show them what we are capable of. >> why don't you get your wings and your bird suit, man. >> no. >> what are you looking at? >> joining me now is alejandro g. inarritu, the director, and the two of the film's stars -- michael keaton and edward norton. here's what you said, "sometimes it is the
>> from our studios in new york city, this is "charlie rose." >> "birdman" is a new movie by mexican filmmaker alejandro inarritu and follows the washed up actor once famous for playing an iconic superhero as he attempts to make a comeback. "variety" magainze writes the film is preoccupied with an aging actor psyche, but also addresses fatherhood and personal integrity and the enduring question of the legacy we leave behind. here's the trailer. >>...
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captioning sponsored by rose communications from our studios in new york city, this is charlie rose. . >> rose: the death of klinghoffer is an opera written in 1991. it tells the story of the hijacking of a cruise ship and the killing of one of its passengers. he was shot and thrown overboard in his wheelchair. the opera opened monday at the metropolitan operahouse in new york it was surrounded by controversy. hundreds of protestors called the piece anti-semitic and inflammatory. others called it a masterpiece and said art should not answer to politics. the episode has raised questions about the role of art, freedom of speech and the unique responsibility of an institution like the metropolitan opera. joining me are first amendment lawyers martin garbus and floyd abrams. i'm pleased to have them at this table. floyd, what's wrong with this? >> well, first of all, let's say it's protected by the first amendment. >> rose: yes. >> you are a first amendment believer. they have every legal right to do this. and peter gelb has every right as he chooses to put this on. i find it disturbing.
captioning sponsored by rose communications from our studios in new york city, this is charlie rose. . >> rose: the death of klinghoffer is an opera written in 1991. it tells the story of the hijacking of a cruise ship and the killing of one of its passengers. he was shot and thrown overboard in his wheelchair. the opera opened monday at the metropolitan operahouse in new york it was surrounded by controversy. hundreds of protestors called the piece anti-semitic and inflammatory. others...
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i'm joined by aaron kessler of "the new york times" and leslie discuss. of "the wall street journal." -- scism of "the wall street journal." give me the significance of this trial beyond the-- the suit which is to recover some money, leslie? >> the case is significant because it really challenges what the government was doing. now of course we've had dowd frank since then that has put in place measures for how you would resolve companies if they get into financial trouble. but this would be a really big slap in the face of the government. but not having properly carried out this particular rescue. >> rose: and it's probably the first time that these guys have been under oath to explain their actions and by a very, very good trial lawyer who is not only read their book, but also subpoenaed or gotten information about the writing of their books and what they have said. every possible note or utterance they made, about this case. >> precisely. these gentlemen gentlemen have testified extensively in congress. and been before the financial crisis inquirery com
i'm joined by aaron kessler of "the new york times" and leslie discuss. of "the wall street journal." -- scism of "the wall street journal." give me the significance of this trial beyond the-- the suit which is to recover some money, leslie? >> the case is significant because it really challenges what the government was doing. now of course we've had dowd frank since then that has put in place measures for how you would resolve companies if they get into...
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it premiered overnight at the metropolitan opera house in new york. hundreds of protesters called the piece anti-semitic and inflammatory. others viewed it a masterpiece. the performance has raised questions about the responsibilities of an institution like the metropolitan opera. joining the are two first amendment lawyers on opposite sides of the controversy, martin garbus and floyd abrams. floyd, what is wrong with this? >> first of all, let's say it is protected by the first amendment. >> yes. >> they have every legal right to do this. and he has every legal right to put this on. i find it disturbing and morally obtuse that they would choose to do so. this is really a work, perhaps even a fine work, but a work about the death of a real man, the murder of a person who walked the streets in new york, making it a two-side issue. there is a debate. there is a side with beautiful arias sung about what they lost in israel, an israeli side, and a dead man. it seems that peter gelb would not have done an opera of the same sort about the death of martin lu
it premiered overnight at the metropolitan opera house in new york. hundreds of protesters called the piece anti-semitic and inflammatory. others viewed it a masterpiece. the performance has raised questions about the responsibilities of an institution like the metropolitan opera. joining the are two first amendment lawyers on opposite sides of the controversy, martin garbus and floyd abrams. floyd, what is wrong with this? >> first of all, let's say it is protected by the first...
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from our studios in new york captioning sponsored by rose communications from our studios in new york city, this is charlie rose. >> the judge of the new film directed by david dobkin featuring award-winning acker robert downey, jr. and robert duvall it tells the story of a judge accused of murder and his estranged son who defends him. here is the trailer. >> the infamous hank palmer. >> jaded lawyer with no respect for the law. >> did that just happen? >> how does it feel knowing every person you represent is guilty? >> fine innocent people can't afford me. all rise. >> is there anything either counsel would care to add. >> my mom passed away this morning. >> is this the first time your mother passed away or is this something you do on all the cases you are about to lose. >> first time. >> so grandpa palmer said to you. >> no he said to me, that's like a figure of speech. >> kind of complicated. i should go with you. >> trust me, nobody wants to go -- oh gosh. you can barely stand the sight of each other. >> henry? >> judge? >> hank, thanks for coming. i am sure your mother would hav
from our studios in new york captioning sponsored by rose communications from our studios in new york city, this is charlie rose. >> the judge of the new film directed by david dobkin featuring award-winning acker robert downey, jr. and robert duvall it tells the story of a judge accused of murder and his estranged son who defends him. here is the trailer. >> the infamous hank palmer. >> jaded lawyer with no respect for the law. >> did that just happen? >> how does...
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>> from our studios in new york city, this is "charlie rose." is a new movie by alejandro inarritu and follows the washed up actor once famous for playing an iconic superhero and his attempt to make a comeback. the film is preoccupied with an aging psyche but also addresses of fatherhood and personal integrity and the enduring question of the legacy he leaves behind. here's the trailer. when i lost my mind there's something so pleasant about that day emotions haven't let go, so much faith ♪ >> how did we end up here in this dump? remember. crazyaybe i'm maybe i'm crazy 're crazyre ♪ >> you are birdman. let's go back one more time and show them what were capable of. >> want you go get your wings and your first suit, man. >> no. >> what are you looking at? >> joining me now is alejandro inarritu, the director and the stars -- michael keaton and it edward norton. of thiss is the size darling and the size of the vulture but we all have a birdman, you said. >> i said that. it is true. i definitely connect with this character. in the torturous cre
>> from our studios in new york city, this is "charlie rose." is a new movie by alejandro inarritu and follows the washed up actor once famous for playing an iconic superhero and his attempt to make a comeback. the film is preoccupied with an aging psyche but also addresses of fatherhood and personal integrity and the enduring question of the legacy he leaves behind. here's the trailer. when i lost my mind there's something so pleasant about that day emotions haven't let go, so...
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>> she is from new york. it is complicated. very high standards. >> that can make you crazy if you're not like that. you do not seem like that. what is her blood type? >> i would have to look it up at the house. >> you do not know your friends and what she does all day and you do not know her blood type. >> are you sure you are married? >> were her folks, new york? can they get here tomorrow? >> you have not called her parents? >> you cannot get a signal in this building. >> will call them now. >> you see a screenplay that you wrote and you see an amazing cast. has it added to your insight into what you were trying to say? >> i finally realized what i am trying to say. >> did that add to your sense of who you drew? >> absolutely. that was the process and part of the fun of it. and why it was so different, the two different disciplines between writing the novel and the movie. when i was writing the screenplay, i had this giant pink sticky note above my laptop that said "this is a movie." you have to respect those differences and
>> she is from new york. it is complicated. very high standards. >> that can make you crazy if you're not like that. you do not seem like that. what is her blood type? >> i would have to look it up at the house. >> you do not know your friends and what she does all day and you do not know her blood type. >> are you sure you are married? >> were her folks, new york? can they get here tomorrow? >> you have not called her parents? >> you cannot get a...
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Oct 31, 2014
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it is an art collaboration that will launch in february 2015 in new york. what i hope to show is a positive side to what is often a negative. it is a tribe that has kept the culture and has adapted as good as or better than anyone in the modern day. >> tell me about -- what are you looking for in this photograph? you're looking into his eyes. >> it is somewhat an absolute mentor. i got to travel with him to haiti and other places. would -- what i was looking at in that photograph is inspiration and understanding that what i was doing was an art project. when people like president clinton and richard branson said don't be ashamed about socially conscious -- people see you can't mix philanthropic endeavor with commercial activity. they completely flipped it and said yes you can. i am seeing a mentor and a space. who sits on which side of the fence? >> are you talking to him -- >> are you talking to him or is he simply posing and you waiting for the moment that you want? >> we were talking about the citadel, a little-known story in the north of haiti. i had be
it is an art collaboration that will launch in february 2015 in new york. what i hope to show is a positive side to what is often a negative. it is a tribe that has kept the culture and has adapted as good as or better than anyone in the modern day. >> tell me about -- what are you looking for in this photograph? you're looking into his eyes. >> it is somewhat an absolute mentor. i got to travel with him to haiti and other places. would -- what i was looking at in that photograph is...
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Oct 8, 2014
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that little girl into an adult woman in new york on the dating scene. she has to keep reinventing herself. your circle of friends can shift and she will just be whoever she needs to be to get the best out of that situation. >> talk about fincher as a director. was he difficult? >> we do not talk about this much -- [laughter] this is awkward. the studio felt as though they needed -- i do not want to say ghost director, but -- [laughter] somebody -- a grown-up on the set. [laughter] it is not bad. that is not what i'm saying. hopeless, confused. those are the wrong words. a decision-maker. not a ghost director, but a decision-maker. [laughter] >> let me see if i got it down. on the set, it was kind of wishy-washy. he does not know what he wants. very likely to take the first thing he sees and go with it. have i got it? >> good enough. >> does not really care much -- obviously, everybody knows that david is -- i have seen good directors and bad directors. it is hard to tell sometimes because, stylistically, people are different. but david's movies speak fo
that little girl into an adult woman in new york on the dating scene. she has to keep reinventing herself. your circle of friends can shift and she will just be whoever she needs to be to get the best out of that situation. >> talk about fincher as a director. was he difficult? >> we do not talk about this much -- [laughter] this is awkward. the studio felt as though they needed -- i do not want to say ghost director, but -- [laughter] somebody -- a grown-up on the set. [laughter]...
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Oct 6, 2014
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where are her folks, new york? >> yeah. can can they get here in time for the press conference tomorrow? >> i have no idea. you haven't called your wife's parents yet? >> you can't get a signal in this building. i've been in here talking to you. >> call them, please, nick, now. i don't know my wife's blood type? >> charlie: you see a screenplay and movie and you see an amazing cast. has that added tyour insight of what you were trying to say? >> i finally realized what i tried to say. yes, that's it. >> charlie: give an interpretation that adds to your own sense of who you drew? >> absolutely. that for me is part of the process and fun of it and the two different disciplines of writing the novel and the movie. i had a sticky note above my laptop that said it's a movie. we go to movies for different reasons than we read a book and you have to respect that. when i got in rehearsals for these two, i felt that that's when the screenplay really started clicking and being fun to write because i was tailing it to them and what the
where are her folks, new york? >> yeah. can can they get here in time for the press conference tomorrow? >> i have no idea. you haven't called your wife's parents yet? >> you can't get a signal in this building. i've been in here talking to you. >> call them, please, nick, now. i don't know my wife's blood type? >> charlie: you see a screenplay and movie and you see an amazing cast. has that added tyour insight of what you were trying to say? >> i finally...
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Oct 14, 2014
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two weeks before we started shooting i went here in new york to have a5hz nichols king and i sent down with michael in a restaurant, at a count canner, beautiful restaurant, italian and at his table and i told him what i was trying to achieve and comedy, blah, blah, blah and i had to say it was going to be in one take, drums and well, this is the cast, he starts -- he stopped doing -- he was taking an olive afwrc, alejandro, youe running into a disaster, this comedy won't take. >> the humor, you have to work with this kind of craft and6 act tors, so he tol told me the recipe, by the way, he was right. i was just -- and no, no, i did it once in 1970 and i stopped the production in two weeks you can do that, you stop now. you are -- it is like i cannot stop. i will start shooting. >> i was panicked. and i didn't know to slap him or hug him, but it is like, okay. >> rose: it was too late. >> it was too late but i have to say he was right because he put me in state of awareness about things that made me more conscious of how difficult it was about i was about to do and i appreciate his co
two weeks before we started shooting i went here in new york to have a5hz nichols king and i sent down with michael in a restaurant, at a count canner, beautiful restaurant, italian and at his table and i told him what i was trying to achieve and comedy, blah, blah, blah and i had to say it was going to be in one take, drums and well, this is the cast, he starts -- he stopped doing -- he was taking an olive afwrc, alejandro, youe running into a disaster, this comedy won't take. >> the...
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Oct 13, 2014
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>> from your studios in new york city, this is "charlie rose." >> ian bremer is here president . the eurasia group "the new cold war on business." businesses in russia and china. businesses continue to cascade. isis threatens a town on the turkish border. and ebola continues to spread. i'm pleased to have you back at this table. turkey, a place you know really well. turkish inaction on isis dismays the united states, "wall street journal." u.s.-turkey at odds as military advance. most people believe isis will take the town right on the border. >> you have kurds in turkey that are able to see them. that's how close they are. and the turks have made pretty much every bad decision that could be made in the middle east. they have been on the wrong side of the conflicts and it will be hard for them to get to a place where they can line up with the americans in the coalition. that's kind of where we are right now. >> why? just because of the fear of kurdish radicals on the syria side? >> there were -- almost 20 dead. and the kurds very unhappy with the lack of turkish action. you know
>> from your studios in new york city, this is "charlie rose." >> ian bremer is here president . the eurasia group "the new cold war on business." businesses in russia and china. businesses continue to cascade. isis threatens a town on the turkish border. and ebola continues to spread. i'm pleased to have you back at this table. turkey, a place you know really well. turkish inaction on isis dismays the united states, "wall street journal." u.s.-turkey...
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Oct 20, 2014
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president of new york's neue galerie. the current show is egon schiele: portraits, known for draftsmanship and sexually provocative subject matter. he played a role in modernism. he died at 28 of spanish flu. pleased to have ron lauder back. welwelcome. >> thank you. >> charlie: everyone says you have one of the great eyes. what do you think they mean? >> it'it's something you learn d something you're born with. they showed me ten pieces of art, and i'll pick usually the best one just by chance. i may not even know the artist. and it's a gift. >> charlie: yeah, but you started very early. >> i started as a teenager. at 14. i must tell you, it's the most exciting thing i did, and people walk into a gallery, look over my shoulder and look for my parents, i would be walking in and asking about certain pictures, and when i started collecting egon schiele, some of the drawings were $300 to $500 and the water colors were $1,000 to $3,000, when you could find them, and today the same things are $150,000 for drawings and up to $1
president of new york's neue galerie. the current show is egon schiele: portraits, known for draftsmanship and sexually provocative subject matter. he played a role in modernism. he died at 28 of spanish flu. pleased to have ron lauder back. welwelcome. >> thank you. >> charlie: everyone says you have one of the great eyes. what do you think they mean? >> it'it's something you learn d something you're born with. they showed me ten pieces of art, and i'll pick usually the best...
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Oct 30, 2014
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this is alexandra in new york city in 2013. >> a lot of news i do there's no nudity and that is the art. some of it is the -- someone like alexandra it's just amazing we have the moment, we can calm the room enough to have a look at the camera and not say do anything let her eyes and her body speak. >> rose: this is lily aldridge too. what should i notice about this? >> that is to me lily. >> rose: in other words her share's not sort of perfect. >> exactly. what i notice about lily is i photograph lily very much for the cosmetic brands but lily is about as rounded a person as you can get. she's a remarkable mother, she's a remarkable spokesperson. she's philanthropic in her nature and she's an absolutely gorgeous woman. so all those things i feet like were embodied in that picture. the boot is just about and she walks in a pair of genes. >> rose: then there is this. this is a picture from your nomad series. >> bonnie taken in the northwest of australia with an elder and his name was donny. and it's some things are self explanatory. i looked at the eyes of bonnie and i just said i can li
this is alexandra in new york city in 2013. >> a lot of news i do there's no nudity and that is the art. some of it is the -- someone like alexandra it's just amazing we have the moment, we can calm the room enough to have a look at the camera and not say do anything let her eyes and her body speak. >> rose: this is lily aldridge too. what should i notice about this? >> that is to me lily. >> rose: in other words her share's not sort of perfect. >> exactly. what i...